CCCVVV
Curriculum Vitae

DJ MELL G returns to Juicy Gang Records with the third EP on her evolving imprint. Laced with the label's trademark tongue-in-cheek aesthetic, JUICY CLASS displays her ability to collaborate with artists from any given soundscape, and this time, New Zealander DJ Fuckoff comes through on vocals and co-production duties. Together, the pair create unfiltered fun that belongs on the sweatiest of dancefloors.

Bureau B reissues this long lost work by Conrad Schnitzler!Auf Dem Schwarzen Kanal is one of the most outstanding, most sought-after releases in Conrad Schnitzler’s extensive catalog. It was the only Schnitzler record to appear on a major label and saw him flirting with the experimental new wave sound that was emerging in 1980, particularly on the title track. Nevertheless, it still managed to sound idiosyncratically unlike any other music around at the time. Recorded with Wolfgang Seidel at Peter Baumann’s Paragon Studio in Berlin, the four tracks take us on a caustic, dissonant mutant disco trip which has lost none of its fascination in the years since.

SR06 - US - 2017DROOL by NNAMDÏ

Ikävä Pii’s vinyl debut is a collection of three original songs, complemented with two recent remixes by Arif and Monty DJ. The three original works (Palau Figment, Rampage and La Conga Di Corto) are some of Ikävä Pii’s early productions – but were recovered in London between 2020 and 2021, to be released on Flippen Disks. Opener Palau Figment is a dive into a non-chronological sonic archive, a reluctant visit of a time past. Its saturated, driving drum machine beat is hesitantly accompanied by floating synthesizer play and takes us right into dream-land, grounded by a mono bass line that throughout the song is joined by a doubling replica in stereo - a memory of itself if you will; A nostalgic narrative told by a hardly comprehensible voice, while “Rampage” does a good job shredding it it right up, exposing the distortion of memory in its growing destruction of it’s driving force, the synthesized string sound that is eventually rendered nearly unrecognizable.This painful process of acknowledgement finds its cathartic reconciliation on the flip. “La Conga di Corto” combines the tropes of the A-side into an ecstatic 5 minutes of loopy, shifty drums and broken up synthesizers. Arif’s Woo Reduction keeps it’s titles promise, taking few elements from the original track into a minimal club track that will make dancefloors pause and bounce alike. Monty DJ’s Transformation Dub is a much less minimalistic approach, stacking layers of percussion on top of each other, shifting form constantly.