Deadbeat
Wail Ball & Cry

Sex Tapes From Mars second reissue drop comes through more contemporary, tighter, and cleaner but not lacking the grit of its predecessor. One for the books, collection - this is one for the heads.

The heat is rising with our 5th instalment coming from the volt of Meister Bert Ashra veteran from Berlin's 90s underground scene and active still in the city with his Mastering & Sound Design Studio and experimental audio production and studies.The solo project B. Ashra has existed since 1993. B. Ashra is a live act, DJ, composer, sound designer and mastering engineer. The style is pretty cross-genre and ranges from ambient, experimental, soundscapes and trance techno to deep house and electronic jazz.For his pure techno and house productions he uses the pseudonym Robert Templa and for the extremely experimental music, trash and gabba he calls himself Hackbert.Furthermore, B. Ashra is active in several music projects and bands, including: Psychotikum, Cosmic Octave Orchestra, 70db, Morphon and Brain Entertainment Laboratory.The collection is a double LP With a variety of sounds spacing between Ambient and Minimal - Techno vibes with deep bass-lines and layered melodic progressions written with special care to the evolution of the harmonies such to maintain those hypnotic feeling until the structure comes back together and releases a powerful groove.A rich Album and a landmark in the growing of the label, must have, limited copies!

FATHOP008 - UK - 2021Jerome Hill revives his Itsu Uno guise for the first time in 7 years and starts 2021 with some much needed fun. He serves up 2 Cut n Paste Party Rocking Funk Bombs for the B-Boys and B-Girls. No prizes for guessing the inspiration for "Shooter (Super Sharp B-Boy) although you'll not have heard it like this before. Meanwhile in "Battle Of The Breaks", Itsu Uno goes to town and serves up all manner of funky-ass beats and samples culminating in a finale that will get you ‘jumpin' Fat Hop was started by Jerome in 2009 to house B-Boy Break jams, Old Skool style Hip Hop and Britcore.

Help Recordings · EX-HE-01 - Thaumazein (snippets)

A dub companion to the critically-acclaimed Rainford album that sees the Upsetter and co-producer Adrian Sherwood radically re-version the original tapes with a host of guest musicians including Brian Eno and Vin Gordon.If Rainford is 2019’s Roast Fish, Collie Weed & Corn Bread then Heavy Rain is it’s Super Ape.As well as highlighting the deft musicianship of the original backing band on the Rainford sessions (which include core On-U luminaries from Creation Rebel, Tackhead and Dub Syndicate) these re-works also invite some further players into the cosmic mix. Brian Eno makes an unexpected right channel entry into “Here Come The Warm Dreads”, a heavily processed sound system overhaul of Rainford highlight “Makumba Rock”, cheekily re-titled as a nod to Eno’s own debut solo album. This completes a circle started in 1981 with African Head Charge’s My Life In A Hole In The Ground similarly referencing the contemporary collaboration between Eno and David Byrne, and their “vision of a psychedelic Africa”.Elsewhere, legendary trombonist Vin Gordon (one of the hornsmen on Bob Marley & The Wailers Exodus amongst many other classic sides) lends his distinctively woozy blowing to tracks such as “Rattling Bones And Crowns” (a late night flipside to “Kill Them Dreams Money Worshippers”) and “Crickets In Moonlight” (“Cricket In The Moon” refracted through some beautifully louche late summer heat haze lens). On the closest the album has to a title track, “Heavy Rainford” strips back the narrative from “Autobiography Of The Upsetter” to ride the rhythm with all sorts of mixing desk tricks, anchored by the killer “I Am The Upsetter” hook from LSK.It’s important to note that it’s not all Rainford re-works though: “Dreams Come True” and “Above And Beyond” are Scratch and Sherwood originals, heard here for the first time and equally strong material for this purple patch in the career of an unstoppable Jamaican maverick and true musical pioneer.