Riccardo Schirò GG FX
Sine Phase / Islands

Featuring 8 different artists from Mexico to Lithuania, Peru, Portugal, Florida, UK and Belgium, ‘Maloca Vol. 1’ outlines the worldly focus of Le Motel’s new label.Launching Maloca Records earlier this year, the label’s ethos is to build bridges interlinking disparate yet like-minded musicians dedicated to blending organic electronic and acoustic elements. The global network of makers highlighted on Maloca Vol.1, the label’s first compilation, confabs a terrestrial and borderless percussive sound that has been bubbling in clubs and Le Motel’s orbit.Opening the compilation is esteemed Peruvian duo Dengue Dengue Dengue followed by Lithuania's DJ JM who has previously released on the likes of Nervous Horizon and Goon Club Allstars, Miami artist and NAAFI affiliate Nick León and Lisbon’s DJ N.K. On the second half of the compilation, there are contributions from the label founder himself, Mexico’s Omaar, UK’s Coen and mysterious artist Tsongo. Maloca Records has put out three vinyl releases to date from Oakland’s Farsight, Beijing’s Howie Lee and Le Motel. The label is quickly building a reputation for releasing brilliant forward-thinking club records whilst capturing specific international sounds.

Following their first album in 2016, The Pilotwings are back – having gone from two to three members - with the LP « Les Charismatiques » on the infamous Brothers From Different Mothers label.As witty and sparkling as ever, the trio’s given birth to a 2020 millesime that dares to oscillate from synth-pop to digit dub, psych-rock and new-age ; combining acoustic sounds with traditional music, all tainted with an 80s summer-hit influence…As whacky as it may sound at first listen through its melting-pot of personal anecdotes and dated corporate speeches, the album does succeed in avoiding the totally-offbeat ; by adjusting sensibilities and altering the way one listens to music these days, these tracks transcend and fly. Guided by anti-conformist synth-sounds, « Les Charismatiques » embarks on the path towards the gilded light of remission and spiritual rebirth !New collaborations have also emerged on this album from long-lasting friendships but also impromptu meetings, with HAJJ firstly, the Dawn Records’ boss who needs no introduction, but also with their Lyon friend Amélie Arcuri alias Bigoudi, half of Schmilblick ; or more surprising, with the cult underground figure of Robert Lapassenkoff, crooner and singer from the 80s band of the same name who’s been recently re-issued on vinyle before joining the Pilotwings on tour.5 years later the Pilotwings are back on BFDM with an album that seems ripe for tasting, like a fine wine with a mouthful of flavors.

Tarantismo : Odyssey of an Italian ritual” is a tribute to Pizzica, an antique music used to heal people suffering from a mysterious disease. This release represents a contemporary attempt to reflect on this extraordinary phenomenon involving frenetic rhythms and maniac dancing, through a trans-disciplinary and ambitious artistic approach.This double LP features five original recordings from the early discoveries of the genre and six unique reworks by Bjorn Torske & Trym Søvdsnes, LNS, Uffe, Don’t DJ, Bottin and KMRU. Associated to it is a bilingual (Italian/English) hardcover book featuring nine original contributions by contributors such as Chiara Samugheo, Edoardo Winspeare, Luigi Chiriatti, Don Antonio Santoro, Claudia Atimonelli or Pamela Diamante.Tarantismo: Odyssey of an Italian Ritual includes: A 2x140gr LP Compilation featuring six original recordings and six exlusive reworks.

Some Bias by Some ExerciseSome Exercise est le projet solo du producteur et multi-instrumentiste Sam Pichonsky. Après avoir joué de la basse dans le trio art-rock, Parapet, Pichonsky a déménagé à Toronto en 2019 et a commencé à faire des démos. Il trouve ses influences chez des artistes disco-mutants et no-wave comme James Chance et Come On.‘Some Bias’ parcourt un territoire sonore dense, trouvant un groove unique quelque part entre Neu et Gang of Four. Partiellement enregistrée sur un magnétophone cassé, l'ambiance du morceau est caverneuse et névrotique, tandis qu'un rythme 3/4 vif prépare le terrain pour les mosh pits et les mouvements de danse maladroits.Les coups de guitare nerveux du morceau sont sans aucun doute un clin d'œil au son art-punk étrange souvent associé à la ville natale de l'artiste, Calgary, qui a produit des artistes comme Women et Telstar Drugs.Le texte tourne autour des connexions entre l'identité individuelle et l'occupation de l'espace physique. "La chanson elle-même est une tentative de traiter la façon dont votre image de soi peut se déformer après avoir passé du temps dans un nouvel endroit", explique Sam Pichonsky, le principal auteur-compositeur du groupe.Pour combler vos envies de musique expérimentale, ce maxi-single inclut une pièce exclusive intitulée Tick Soup.Musique par Sam PichonskyEnregistré à Toronto et CalgaryLa face A a été mixé par Jason Balla (Earringusa)

The Begotten is the brainchild of Jürgen De Blonde (Köhn/de portables) and Brecht Ameel (Razen), who initially performed a number of shows and released a CS under the moniker 'Kohier' - gleefully referencing the absurdity of Belgian tax systems and institutions.On their debut LP "Temidden Laaghangende Wolken" they are joined by percussionist and improv-veteran Dirk Wachtelaer (Pablo's Eye/Vanishing Pictures), who locked with De Blonde and Ameel's post-reality continuum during a recording session at Les Ateliers Claus in Brussels. In this new trio format, The Begotten weaves a stripped-down set of after-hours, trancey observations on keys, baritone guitar and drums. Neon-lit bars are named Le Kheops or 60 Moons, streets are soaked in sheets of rain, people are staring at tax sheets and comets pass by unnoticed. Dub with tears; "Temidden Laaghangende Wolken" is the perfect backdrop of a strongly medicated game of Manillen during a 'Derrick' rerun.