Benjamin Lew
Le Personnage Principal Est Un Peuple Isolé

On March 5th, Ongehoord is releasing the concluding album of the Deadline Paranoia trilogy; Deadline Paranoia 3/3. The final set of rereleased psychedelic sounds that complete the oeuvre of the 1980s Amsterdam based band. Jeroen Vermandere, the person behind Ongehoord, discovered the band during his thorough search of Dutch cassettes and 1980s cassette culture and presents us this carefully selected triptych, taking the listener on quite a trip. 3/3 starts with a guttural exhalation, a celestial moan, setting the tone of the rest of the album - from there on the hot stickiness of dub oozes into the listener's ears, followed by ancestral percussion, rolling guitar riffs, and the nomadic sounds of the melodica. DeadlineParanoia 3/3 is light-hearted and suffocating all at once; the meditative rhythms cradle you back and forth while an array of peculiar sounds passes by, alluding to the band's delusional name.The record comes with an inlay presenting the original artwork that Deadline Paranoia used for their cassettes, capturing a dichotomy that is recognizable in their music; a sensitivity towards the spiritual placed alongside anarchic violence. You will be taken on a surreal journey, timeless sounding beats are accompanied by wailing instruments, the atmosphere is thick and heavy with smoke.

Tarantismo : Odyssey of an Italian ritual” is a tribute to Pizzica, an antique music used to heal people suffering from a mysterious disease. This release represents a contemporary attempt to reflect on this extraordinary phenomenon involving frenetic rhythms and maniac dancing, through a trans-disciplinary and ambitious artistic approach.This double LP features five original recordings from the early discoveries of the genre and six unique reworks by Bjorn Torske & Trym Søvdsnes, LNS, Uffe, Don’t DJ, Bottin and KMRU. Associated to it is a bilingual (Italian/English) hardcover book featuring nine original contributions by contributors such as Chiara Samugheo, Edoardo Winspeare, Luigi Chiriatti, Don Antonio Santoro, Claudia Atimonelli or Pamela Diamante.Tarantismo: Odyssey of an Italian Ritual includes: A 2x140gr LP Compilation featuring six original recordings and six exlusive reworks.

In the early-to-mid 1970s, Belgian recording engineer and synthesist Daniel Lacksman née Lanckmans recorded and released a series of pop music records, using early analog synthesizers as a central sonic element. Under an admittedly confusing array of names, Lacksman (who later founded the group Telex) created music that was equal parts innovation and ear-candy accessibility. Those often happy-go-lucky records gained some popularity throughout Europe, but their lasting influence can be heard in the music of Portishead, Massive Attack, The Moog Cookbook, and Air, not to mention among the lengthy list of 21st century artists who have sampled these recordings. And a casual survey online quickly reveals that these records are among the most collectible of their kind, with original copies commanding hundreds of dollars. Among those albums, the one Lacksman recorded in 1973 under the pseudonym Electronic System featured the first full flowering of his synthesizer mastery. His hit recording 'Coconut' had enabled him to buy a modular synthesizer, which offered a vastly expanded sonic palette'if you had the patience to re-wire for each sound you wanted to achieve. Which was the perfect set-up for a studio engineer like Lacksman'the result is an album full of sonic surprises, with each track presenting multiple, unique synthesizer tones and attacks, even on such nakedly commercial moves as his cover of Ritchie Valens' 'La Bamba.' An analog synth tour de force! Our Real Gone Music reissue has been mastered for CD and LP from the original tapes by Lacksman himself, and feature liner notes by Bill Kopp that include exclusive quotes from Lacksman and photos from his private archive.

Pl'ayers/Rooty Call by LX72