ReKaB
Music Makes It Better EP

gianni aka cesare b. · [ORB-08] Pre-Sale: TV Totem "TV Totem 4 - 1983"

Möbius is an aerial ballet created by Cie XY in collaboration with the choreographer Rachid Ouramdane, and composers Jonathan Fitoussi & Clemens Hourrière.One of the most sensitive sets of ears in Paris, GRM affiliate Jonathan Fitoussi meets Clemens Hourrière for a beautiful 3rd album called "Möbius". After their acclaimed "Five Steps" [2015] & "Espace Timbrés" [2018] on Versatile records, Fitoussi & Hourrière tethered again to the classic Buchla modular synthesiser, but this time for composed the soundtrack of an amazing aerial ballet in collaboration with Cie XY and famous choregrapher Rachid Ouramdane; Widescreen results-"For Möbius we have teamed up with two composers, Jonathan Fitoussi and Clemens Hourrière; for several years now they have shared a common passion for electronic instruments with their unique incredible sound. We soon found there was a lot of common ground between our own acrobatic research and the way they create music : their sounds meeting, colliding or clustering together in a slow and finely nuanced progression, requiring the same continuous adjustment as our own process. This constantly evolving music with its expansive percussion will leave the door wide open to flights of the imagination, transporting us to strange atmospheres, at times disturbing, at others invigorating..." Cie XY

Scacco Matto by Lorenzo Senni

A passion project from two really great friends... the packaging is as much part of the experience as the music and story behind this album. Limited run of 50 copies cut in house by Personal Touch.From the label:Unifying form and function and the dissolution of excess. The seamless integration of materials sourced within the setting, finding freedom within constraint, and designed for the masses. Usonian Automatic was recorded in a home built upon Frank Lloyd Wright’s principles, conceived and designed by his former student, James W. Strutt. Life in such a house exacts the instinct to harmonize its wood, brick, and geometry with the emanating electric sound of a speaker. Marrying the guitars to vinyl archived, cut, and laced into the available frequencies expresses our interpretation of the listening experience, revolving around the hearth. These are the Usonian fundamentals we have borrowed and built upon.

FTVA's fourth analysis of frequencies from the void above resulted in a recollection of sounds obtained from the catastrophic death of an atom in another dimension. FTVA04 consists of four cuts by Chilean producer MOYA81.