Marcos Valle
Garra

On March 5th, Ongehoord is releasing the concluding album of the Deadline Paranoia trilogy; Deadline Paranoia 3/3. The final set of rereleased psychedelic sounds that complete the oeuvre of the 1980s Amsterdam based band. Jeroen Vermandere, the person behind Ongehoord, discovered the band during his thorough search of Dutch cassettes and 1980s cassette culture and presents us this carefully selected triptych, taking the listener on quite a trip. 3/3 starts with a guttural exhalation, a celestial moan, setting the tone of the rest of the album - from there on the hot stickiness of dub oozes into the listener's ears, followed by ancestral percussion, rolling guitar riffs, and the nomadic sounds of the melodica. DeadlineParanoia 3/3 is light-hearted and suffocating all at once; the meditative rhythms cradle you back and forth while an array of peculiar sounds passes by, alluding to the band's delusional name.The record comes with an inlay presenting the original artwork that Deadline Paranoia used for their cassettes, capturing a dichotomy that is recognizable in their music; a sensitivity towards the spiritual placed alongside anarchic violence. You will be taken on a surreal journey, timeless sounding beats are accompanied by wailing instruments, the atmosphere is thick and heavy with smoke.

A Morphology Of Wonders by TimelashTimelash is the evolution of Embassador Dulgoon’s cryptozoological sci-fi opus ‘Hydrorion Remnants’ converging with Corum’s surreal sonic mapping as ‘Beguiling Isles’. The combined cinematic vision jettisons listeners through a psychedelic wormhole far beyond the usual perception of known audio latitude. Aguirre has gone all out to inject this tribal dino DNA double slab of wax presented as twelve expansive and mesmerizing tracks of historical mutations linking early communication developments with speculative astrobiological impressions heard as mysterious & riveting melodies that wash over dizzying percussive styles and suspenseful ambience. A variety of unexampled sounds take shape throughout as tectonic tablature, reptilian choral movements, bubbling bioluminescence, tube calls, orogenic bells, crustacean chatter, lost continent scales, high plains drifting riffs, and primordial soup lapping splashes revealing to listeners a living mural that is ’A Morphology of Wonders'. The conjuring of cratonic creature harmonics resonate wildly from this interdimensional duet, emerging as Neopangaea music of now- Zakira Luna, Psychic Sounds Research