Mitro
C Som Citron

It's been almost 3 years since the first volume of Dancefloor Detonators enhanced our nocturnal revelries, so it's a welcome treat to see a second volume has now made an appearance.As with the first release, Volume 2 follows a similar principle, namely to put on vinyl some of the most popular tracks from the label's digital catalogue alongside some exclusive new cuts, appearing here for the first time to keep things 100% fresh. The resultant 5-tracker is nothing short of sublime.Label regulars Secret Circuit, Sordid Sound System and Bal5000 appear alongside Optimo Music regular Feon and newcomer Wanda Krak.

Figurant sur le second various de Kump, Maahrt signe ici son retour parmi nous. Ce septième disque est une pièce aux deux faces traversées d'un même trouble. Quand « Gault » martèle des réminiscences big beat contre l'austérité d'une trame industrielle, « Clag » vibre de breaks habités d'échos et de voix. L'un frappe, l'autre fuit, tous deux se déploient en artefacts mitoyens et pourtant si singuliers. Il faut bien attendre le dernier titre « Noma » pour tenter un pont dans le lieu mince laissé par ces deux masses noires. Ce pont, A Strange Wedding l'imagine en plan-séquence cyberpunk aérien tandis qu'Odopt le sculpte en angles bruts. Osez pénétrer dans ce labyrinthe plus grand qu'il n'y paraît, il se pourrait que vous souhaitiez y rester davantage que ce que vous croyez.Featured on the second various out on Kump, Maahrt is back among us. This seventh record is a two-faced coin pierced by a single disturbance. When « Gault » pummels big beat remains against an industrial frame, « Clag » vibrates from breaks resonating of voices and echoes. One hits, the other flees, both extend in twin yet singular artifacts. The track « Noma » comes at last as an attempt to bind both sides in this narrow place in between two dark spaces. A Strange Wedding re-imagines this bridge as an aerial cyberpunk movie sequence whereas Odopt sharpens its angles. Dare to penetrate this labyrinth bigger than it seems, you might wish to stay there longer than you think.

Recorded directly to cassette 4-track late at night in Briand’s apartment in Paris with a gathering oftemperamental vintage gear, Le Sommeil Vertical captures a somnambulant journey into vibrant analog nether-regions. The hazy sonics harken back to ‘80s DIY cassette culture, but refracted through a prism of fourth world melodics and early IDM rhythm experiments. The tracks are titled after Burroughs’ Cities of the Red Night, and the book acts as a talisman for the album, setting sci-fi surrealism within expansive arid psychic landscapes. The trance-inducing terrain, mapped out in warm 1/4” tape, moves through phased backstreets, AFX-arrondissements, and dub municipalities. This is music on the nod, an elixir for the sleepwalking flaneur.Alan Briand has been with Séance Centre from the start, as designer and European emissary — a wunderkind of many talents, we’ve always trusted his ears as well as his eyes. We’re pleased to release this mesmerizing EP as a limited edition pressing with risograph printed insert and designed for future archives.

The unstoppable DMX Krew returns for his third full EP on the label. As classy as ever and packed with different flavours. The A side opens with the Wigged out and intense Techno assault of 'Spasm', clearing the path for the tortured alien beauty of Electro track 'Second Moon'. Over on the flip, DMX revisits 'The Wiggly Worm', giving it some DMX Acid with a sardonic stomp for the dancefloor and the EP closes with a nod to Detroit with 'It Isn't What It Was' . Also included are 2 tools, useful bridges for the discerning DJ!

City & i.o are immensely proud to present Chaos is God Neighbour, the full-length follow-up to their 2019 record Spirit Volume. This new release finds the musicians digging into murkier depths than Spirit Volume, and features extensive contributions from collaborators Dis Fig, aka Felicia Chen, x/o, aka Veron Xio, and vvilms, aka Aaron Wharton.Composed at a frenetic pace over several weeks in mid-2020, the claustrophobia is palpable. As the album progresses the tracks get both shorter and progressively more brutal, interrupted by brief moments of respite. Throat-shredding harsh vocals provide a high watermark in intensity, while the expansive performances of Dis Fig and x/o serve as vantage points over the morass, giving the listener something both beautiful and human to grasp. Careening from rich synth work, to distorted guitars in alternate tunings; from i.o’s virtuosic and unhinged drumming to slabs of harsh ambient noise, this is a genuinely ambitious and rewarding album.The front and back cover artwork is courtesy of legendary Games Workshop illustrator John Blanche.