Furniture
On Broken Glass

Sismo 01, first realese of the label by OMAR.Uruguayan take over.

STOORCOMP/1 - NE - 2020Some stunning electronix, techno and ambient presented by Speedy J on the very first STOOR compilation (STOOR meaning Disturb or Interfere, and the name of his studio, The STOOR Studio). This is a compilation of recordings done by Speedy J and talented and respected artists such as Rodhad, Function, Mumdance, AnD, Colin Benders, Black Asteroid, Conforce and Subjected who all recorded in his large studio space in Rotterdam where Speedy J welcomes guests to experiment with sound and electronic live sessions. Known as a true sound designer Speedy J always is looking forward and exploring new technologies combined with his extensive collection of analogue equipment which he collected since his very first release on Plus 8 records in 1990. Striking moments from each collaboration are captured on limited vinyl editions of 25 each sold directly from the studio. To present this project to a wider audience the studio is proudly presenting its first compilation. STOOR Comp 1 holds selected highlights from the 12'' versions and the studio archive and comes in a 400 copies edition.

Locked in a 486 glow, lightblink machines nightlight, being enters lighttime limelight. The long nineties already distending, the Major midbloats, crowds throng superclubs- strobelit honeys on a podium in Ibiza already blasted a stratosphere away from mildewed badflats, emphysemic parlours, the fug of week old washing drying slowly on the rad. Ach we’ll hang it out in the morning fire another joint of badhash and turn that tape over. We are being Here. beings disconnected, shut ins, psychick worriers, long walks to and from clubs, mostly dark, always raining, or mizzling anyway, lug bigbrick machines into cabs and Venue, setup and playing live and right now from the lounge lobby at Sativa, down the stairs from the caustic, twitching thrashpit being sits, being works. Dole sludge, shirking class zeroes, scoff pizza rolls w salad cream, that headchef gaffer never reckoned you’d graft at the potwash, a slick fur of rotfood dish slop residue right to the elbow, absolutely bowfin. Rumours of other places, people, scenes, tapes sent and emissaries return, invites to get trains, overnightbus south to London. being brought water to the ‘wells in South London and monthly emissions snaked out into the world, into badflats elsewhere where gowched couch tatties sprawl and the being burrowed deep into memories.. Tea is toast and sandwich spread and endless crisps as the binbags pile high in the backyard, the being blinks, it’s a twilit morning and it’s time to go to bed.

While volume two of Dat Pressure's Rip N Run may have already hit the streets, now they're back-pedalling to volume one - OCD garage heads rejoice. As ever label boss Noodles is on hand with more essential wares from the vaults, this time enlisting the mighty Dub Child as a partner in crime. These jams veer towards the breakstep end of the garage spectrum, all boom bap drums and stuttered grooves, not least on the massive but spacious "We Go." "Zip It Up" packs in plenty of rootsy dub tones and soul vocal licks to match the skittering drums, and "Smoking Circles" gets into an almost techy strain of broken beat honed for serious dancefloor consumption. Just hold tight for the bass drop on that last one - it's a monster.DPR Recordings · Groovechronicles Zip It Up Rip n Run vol 1

We are delighted to present a raw, young talent from Copenhagen - the city of fairy tales. Indeed, Parks at Night, the debut album from 17 years old Teis Ortved, could very easily provide the soundtrack for a recently unearthed Hans Christian Anderson story. In fourteen moves, the devoted multi-instrumentalist tells us the tale of his relatively short journey so far with confidence that belies his age. There's no ego or showboating here as this modest musician brings together seemingly disparate technologies with apparent ease, marrying sequenced beats and plaintive pianos overlaid by ethereal vocals that take his very special music somewhere other-worldly.To fully appreciate Teis' universe we need to dip a toe into his upbringing, his wonder years and the family unit that has had so much influence on his fascinating musical output. Both his father and mother are musicians - the former having previously been a drummer in a danish band, and almost from birth, Teis would sleep backstage at his parents shows. Teis has been immersed in music his whole life - even his sister is a renowned violinist. There was no escape from the arts in the Ortved household, nor was there been any desire to do so, which probably explains the sense of calmness in Teis' productions. His music feels like a pleasure; a natural outlet; one that's never been stifled and always been encouraged.