Robert Ouimet
Love Disco EP

Fresh new 7' vinyl, just in time for the Spring/Summer. 2 slices of Funk, courtesy of XL Middleton & Moniquea."I Don't Wanna Wait" is a G-Funk "traffic anthem" depicting Los Angeles' road reality. XL's sneaky topicals, combined with his witty delivery, mesh perfectly with the heavy bass lines and piano solos. Available for the 1st time on 7' Vinyl, previously available on "2 Minutes Till Midnight""Daily Thing" is a Modern Funk heater, available for the 1st time on vinyl. Moniquea's making sure that whatever you need on a daily basis, she'll make sure to remind you. Perfect for lighting up the dance floor, this one is guaranteed to keep you moving.

Piña Edits 007 by Piña Edits

C-L-A-S-S-I-C library breaks and beats set of super-heavyweight espionage-funk.One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Background Action from Sammy Burdson, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig.

The first official reissue of ‘Good Lovin’’ – a modern soul dancer with a killer groove, heavy low-end, delectable string & horn trade-offs and the husky tones of the inimitable Al Mason, that blew up on the scene in 1980 and now commands eye watering prices between collectors. This dinked 7 inch comes backed with ‘We Still Could Be Together’ off the original promo 12 Inch, with both tracks fully remastered and officially licensed for the first time since its original release.‘Good Lovin’’ stormed dancefloors back in the early ‘80s taking Al’s undeniable, raspy vocal prowess and stirring it up with an energetic combination of funk guitars, full frontal basslines, on-point harmonies and a perfectly arranged string and brass section. It’s been a rare treasure on the second-hand market with original copies trading hands for £400 so an official reissue will be music to many an ear.The B side, ‘We Still Could Be Together’, is an emotive ballad filled to the brim with Mason’s tangible passion alongside smoky pianos, cinematic strings and velvety backing vocals. A slow stepper with a bittersweet message behind it.

Brazilian musician, songwriter and producer Pedro Guinu makes his debut on Razor-N-Tape with PALAGO, a record that speaks to the artist's relation-ship with hometown Rio de Janeiro, and the city’s strong connection to the roots of Brazilian music and African rhythms.Recorded live in-studio, the LP captures the qualities and sonic textures of 1970s era analog recordings, evoking the sounds of Eumir Deoda-to, Marcos Valle and João Donato. Characterized by tasteful arrangements, improvisations, heavy grooves, and polyrhythms, the sprawling album fuses styles and influences to create something new and unique while maintaining a link to the past.