Open today: 12:00 - 18:00

Eros
Go For It

Go For It
Go For ItGo For It

Artists

Eros

Catno

MS01

Formats

1x Vinyl 12" 45 RPM

Country

USA & Canada

Release date

Jan 1, 2020

Styles

Disco

Eros’ Go For It is a fearlessly original take on Paradise Garage disco, mixed in a way that feels equally Mad Professor and Walter Gibbons.

The story of Eros begins in a high school in Vauxhall, New Jersey in the mid 70s when four kids began a friendship based around their mutual love of soul, funk, rock, disco, and bands like Earth, Wind & Fire and Funkadelic. Assanouan G’Bado, Fletcher Gaines, Bobby Jones and Mike Freeman started off jamming after school, playing occasional gigs in New York and honing in on an original sound. When the group graduated, Assanouan and Bobby went off to the service and Fletcher went to university.

Eros reunited in the late 70’s and began taking things more seriously, producing a set of songs with the intention of getting a deal with Motown. The morning after recording a full album’s worth of material, the group flew to Detroit hoping to sign a record deal. The legendary label was interested in the songs, but made them an offer that didn’t feel right for the group. The songs were shelved and Fletcher and Bobby moved on to new ventures.

Mike and Assanouan pursued a self-released single on their own DAP records, reinterpreting two of their Motown demos with drum machines and overdubs to fill in for their two missing bandmates. Go For It was their individual take on disco, and the new 1985 remake took the AOR-oriented demo version, and transformed it into a transcendent dance floor illusion, that, in an alternate universe, would have turned dancers at the Paradise Garage upside down. Similar to Stephen Encinas’ un-classic, the song mutates deftly at the half-way point, opening up into a stripped-down and dubbed-out denouement, adorned in cascading electronics and the soaring vocals of Barbara Green. Go For It is the first of two releases from Eros on Mixed Signals, and pairs the group’s expanded electronic remake with the original Motown version, rescued from the last surviving demo cassette. Stay tuned for the unreleased demo album Motown missed out on, slated to come out later this year.


Media: Mi
Sleeve: M

$22*

*Taxes included, shipping price excluded

MS01 - CA - 1985/2020RP

A1

Go For It

B1

Go For It (Demo)

Other items you may like:

New dog in the 777 pound! Join the "Low Poly Life (Level 1)" by Dogpatrol and experience some deep quirky percussive leftfield treats!
The GTT series is a platform that hosts experimental projects & artists in sound art. It is dedicated to support sound as a genre of its own - beyond the boundaries of music theory and free of any expectation. Just art. WOLFFRIEND is a collaboration project between Mischa Wolff (Von Abseits) and Daniel Harrison (Imaginary Friend). The two met each other in Berlin and discovered their mutual interest in beats, rap and sound art. When they moved in with each other last February they spent their first two weeks together in the studio. It resulted in an adventurous sound story called ‘Computers’ that brings listeners into a dimension of their own.
Tunel Hacia Tí (Tunnel Toward You) is a collection of early compositions by Germán Bringas of Portales, Mexico City. This album features songs from his lost cassette ambient jazz opus, "Caminatas" (Hikes), it’s spiritual successor, "Exposción Al Vacio" (Vacuum Exposure), and unreleased works created between '91-'00. Every instrument heard on this release was played by Bringas, and recorded in a studio in the back of his home.Germán’s pieces are informed by his synesthetic experience. As he plays, he witnesses color coordinating with each note. His earliest experience of this cross-sensory ability came from playing his parents piano when he was young. Exploring the keys, a spectrum of color presented itself, and he began searching for colors he preferred. He discovered an enticing shade of blue, which unbeknownst to him at the time, was a jazz chord. In the following years, he attended school at the Conservatorio Nacional de Música and was classically trained in piano and composition. The Conservatorio was extremely demanding and didn’t appreciate his innate talents to play by ear. He was fed up with the indoctrinating way they taught, which coincided with a lecture he attended by Carlos Casteñeda. Inspired by the teachings, he left school behind to start a group with his friends to practice meditative exercises loosely based off Casteñeda’s Tensegrity movements to expand the body and mind. His friends and he spent years going into the woods and training as quasi-disciples of the Castañedian path. In those times, Germán developed a new approach to music, letting go of the formality of his classical training, and rediscovering his childhood experience to play from feeling. Learning trumpet, saxophone, and native Mexican instruments all to his own design, he followed his synesthetic experience to guide his compositions. He was compelled to record the discoveries he was making, so he produced a string of cassettes, only enough to pass around to friends & local collectors.In his earliest works, you can hear the influence of his time spent in the tranquility of the woods colliding with the frenzy of the city he grew up in. Combining inspiration he obtained from ECM Records virtuosos, Mexican Rock-in-opposition, visionary jazz artists, and otherworldly sci-fi films like Blade Runner and Stalker, his songs ebb and flow between serene synths and chaotic bursts of emotive horns. In addition to these compositions, he started an experimental music club in his house in Portales called Jazzorca. At Jazzorca, which is still running to this day, he would share his pensive movements with a small group of dedicated music lovers. Germán truly created a world of his own through these works, and his sound is singular when held up to Mexican music from the same era.Currently, Germán makes drums out of propane tanks in his backyard, produces experimental CDs under his own label, and plays live regularly at Jazzorca. You might catch him strolling through his neighborhood in Portales at sunset, soaking in the influence of the city sounds and their associated colors he witnesses.
Möbius is an aerial ballet created by Cie XY in collaboration with the choreographer Rachid Ouramdane, and composers Jonathan Fitoussi & Clemens Hourrière.One of the most sensitive sets of ears in Paris, GRM affiliate Jonathan Fitoussi meets Clemens Hourrière for a beautiful 3rd album called "Möbius". After their acclaimed "Five Steps" [2015] & "Espace Timbrés" [2018] on Versatile records, Fitoussi & Hourrière tethered again to the classic Buchla modular synthesiser, but this time for composed the soundtrack of an amazing aerial ballet in collaboration with Cie XY and famous choregrapher Rachid Ouramdane; Widescreen results-"For Möbius we have teamed up with two composers, Jonathan Fitoussi and Clemens Hourrière; for several years now they have shared a common passion for electronic instruments with their unique incredible sound. We soon found there was a lot of common ground between our own acrobatic research and the way they create music : their sounds meeting, colliding or clustering together in a slow and finely nuanced progression, requiring the same continuous adjustment as our own process. This constantly evolving music with its expansive percussion will leave the door wide open to flights of the imagination, transporting us to strange atmospheres, at times disturbing, at others invigorating..." Cie XY

This website uses cookies to offer you the best online experience. By continuing to use our website, you agree to the use of cookies.