Ryo Fukui
Ryo Fukui In New York

Solo debut by multi-instrumentalist Manuel Chittka. The Love-Songs, Jungstötter and Pantha du Prince associated drummer creates two compositions of intimate beauty. EIGENMODEN is both, rhythm-based, and at the same time softly swayed by modular electronics. Making this release a personal and contrasting accentuation of contemporary Minimalism, Ambient and Jazz. The music was recorded in Hamburg-Altona and Berlin-Marzahn and mastered by Italian film composer Giuseppe Ielasi.„A layered electro-percussive music that is supposed to flow in a tangible pulse and combines moving textures with detailed events. Mostly tuned metal percussion instruments like gongs, cymbals, or metallophones ring and sizzle together and unfold both meditative and noisy.“

Repress from rare private hawaii spiritual jazz-funk album from 1979This exclusive Jazz-Fusion album is a work composed by famous Hawaiian composer/musician/educator Gary Washburn. "A Life in a Day" was a project to fulfil a National Endowment of the Arts grant that he was awarded, and he performed it to fulfil a State Foundation grant that was also awarded to him.Gary composed the music in Hilo specifically for the individuals who performed the music (in the same way that Duke Ellington composed for his band). It's a concept album.The Justin Thyme line-up played a series of shows across the island, and they were initially recorded on a 4-channel recorder. The songs was introduced to brother and producer Kent Washburn, and he agreed to release it on his independent label EmKay Records. The album was mixed and pressed, but the distribution company he was with doubled it up and the album never really made it to the public. The musical Styles used by Washburn to present this unique conceptual representation include traditional and contemporary Jazz, Funk, Pop and, in some passages, classical.

Deeper Roots by Roots

Bow to the People by Theatre West

There is no more engaging nor distinctive alto saxophone sound on the planet than McGann’s. Sydney Morning Herald McGann takes the language of Bebop then bends and stretches it to fit the contours of his own remarkable im-agination. The Wire Bernie McGann’s sound is exciting and physical, as heated as any post-coltrane modernist. Downbeat A lost treasure of Antipodean jazz This compilation documents part of an exciting period in Australasian jazz.