Marcos Resende & Index
Marcos Resende & Index

Sol Invictus 10" by Colin Fisher

Kudu by Anteloper

Far Out Recordings · Marcos Valle - Sempre

DE283 - US - 2021darkentriesrecords · Patrick Cowley - Some Funkettes CLIPSDark Entries is humbled to continue digging through the archives of legendary producer Patrick Cowley. While best known for his production on chart-topping cybernetic disco anthems such as Sylvester’s “You Make Me Feel (Mighty Real)” or his own “Menergy”, Cowley, who passed away from AIDS-related illness in 1982, left us with a substantial body of work. Since 2009, Dark Entries has been working with Cowley’s friends and family to shed light on the lesser known facets of this singular artist’s output. This has resulted in a string of celebrated archival albums, including Catholic (featuring Jorge Socarras), School Daze, Muscle Up, Afternooners, and the recent Mechanical Fantasy Box. Some Funkettes, the latest addition to this series, is a collection of previously unreleased cover songs recorded from 1975-1977. These raw, unembellished tributes both showcase Cowley’s early musical interests and chart the development of his production techniques. Some Funkettes opens with Cowley’s sauntering instrumental rendition of “Do It Anyway You Wanna”, the disco classic by People’s Choice. Next is a psychedelic reworking of the Temptations’ “Papa Was a Rolling Stone”, here hazily retitled “Papa Wuzza Rollinston”. Over its 7 minute runtime, the track’s metronomic, minimal groove builds to a frantic synth solo - this is pure Bay Area motorik. “Spiked Punch”, a curious riff on Herbie Hancock’s “Chameleon” follows. Cowley’s lurching, minimalist reimagining of Hancock’s opus prefigures the work he would later do on Sylvester’s masterpiece “I Need Somebody to Love Tonight”. Side B opens with a truly important historical document: Cowley’s cover of Donna Summer’s “I Feel Love”. The Moroder-produced disco anthem was a critical influence on Cowley - he would later resculpt the original song into arguably its highest form with his 15-minute-long remix. The instrumental cover version here is sparse and euphoric, brimming with classic Cowley synth signatures alongside the infectious Moroder bassline. A relatively faithful take on Bazuka’s 1975 funk classic “Dynomite” follows. The record closes with the dub version of “Spiked Punch”, which highlights developments in Cowley’s recording and synthesis techniques by way of its resonant burbles and spring reverb-laden passages.Some Funkettes was made possible with help from Patrick's brother Jim and his former studiomate Maurice Tani. All songs were mastered for vinyl by George Horn. The sleeve is a collage designed in 1975 by Cowley’s former roommate Francesca Rosa that was found covering a reel to reel box. It features a yin-yang symbol and a photograph of a scruffy 24 year old Patrick, to which we added his original handwriting. Each record comes with an insert featuring a four page essay by Francesca as well as a postcard featuring liner notes and a photograph by Cowley’s roommate and best friend, Theresa McGinley. Vocal versions of “Papa Wuzza Rollingston” and “Do It Anyway You Wanna” are included as bonus tracks on the digital and CD releases. This peek into Cowley’s formative years arrives just in time for what would have been his 70th birthday.

There is no more engaging nor distinctive alto saxophone sound on the planet than McGann’s. Sydney Morning Herald McGann takes the language of Bebop then bends and stretches it to fit the contours of his own remarkable im-agination. The Wire Bernie McGann’s sound is exciting and physical, as heated as any post-coltrane modernist. Downbeat A lost treasure of Antipodean jazz This compilation documents part of an exciting period in Australasian jazz.

The South African response to Chick Corea’s Return to Forever and Miles’ On the Corner• A defining musical statement in South Africa’s jazz canon – pinpointing the moment of social and musical ferment in which the country’s terms of engagement with jazz were irreversibly changed.• Forged when township kids were facing down bullets, this is an electric mulberry funk – slick, intense and complex.• Reissued for the first time since 1977 with inner sleeves containing archival photographs and new liner notes by Francis Gooding.• Audio remastered and cut for vinyl by Frank Merritt at The Carvery with heavyweight 180g vinyl pressed at Pallas in GermanyAt a distance of more than forty years, the radicalism and significance of African Spaces can be seen more clearly. Ambitious, uncompromising, and resolutely progressive, it represents a unique high-water mark in South Africa’s long musical engagement with the newest developments in American jazz – a response to the cosmic call of Return To Forever, and an answer to Miles’ On the Corner.Spirits Rejoice drew together some of South Africa’s most abundantly talented and forward-thinking jazz players and created a complex and challenging jazz fusion that shifted the terms of South Africa’s engagement with jazz towards new music being made by pioneers such as Chick Corea, Weather Report, John McLaughlin, Pat Metheny and others.African Spaces, their debut recording, is one of the key documents in the South African jazz canon. Emerging in the aftermath of the 1976 Soweto uprising, and taking its place alongside the crucial mid-1970s music of Malombo, Abdullah Ibrahim, and Batsumi, it is a defining but unsung musical statement of its era.