Nicolini
Penni's Palace

Locked in a 486 glow, lightblink machines nightlight, being enters lighttime limelight. The long nineties already distending, the Major midbloats, crowds throng superclubs- strobelit honeys on a podium in Ibiza already blasted a stratosphere away from mildewed badflats, emphysemic parlours, the fug of week old washing drying slowly on the rad. Ach we’ll hang it out in the morning fire another joint of badhash and turn that tape over. We are being Here. beings disconnected, shut ins, psychick worriers, long walks to and from clubs, mostly dark, always raining, or mizzling anyway, lug bigbrick machines into cabs and Venue, setup and playing live and right now from the lounge lobby at Sativa, down the stairs from the caustic, twitching thrashpit being sits, being works. Dole sludge, shirking class zeroes, scoff pizza rolls w salad cream, that headchef gaffer never reckoned you’d graft at the potwash, a slick fur of rotfood dish slop residue right to the elbow, absolutely bowfin. Rumours of other places, people, scenes, tapes sent and emissaries return, invites to get trains, overnightbus south to London. being brought water to the ‘wells in South London and monthly emissions snaked out into the world, into badflats elsewhere where gowched couch tatties sprawl and the being burrowed deep into memories.. Tea is toast and sandwich spread and endless crisps as the binbags pile high in the backyard, the being blinks, it’s a twilit morning and it’s time to go to bed.

conatala · World Standard - 「麦秋」: Wheat Harvest1982, the season from spring to summer. Two young men in the peak of their youth, eager to immerse themselves in the recording of a single cassette tape.In March of that year, Soichiro Suzuki and Michio Kojima began to claim the group name “World Standard”.The music was produced in a room in Kojima's parents' house in Nishi-Ogikubo, Tokyo, making full use of ping-pong recordings on two cassette decks. With the focus on guitars, mandolin, and ukulele played by Suzuki, Kojima's upright piano, which was placed in a room between Japan across the corridor, was occasionally added. In addition, percussion was recorded using the echoes of the bathroom; toys such as pianica and trumpets, and drums made of cardboard were used as musical instruments.In the background, the sound of the TV and the subtle sounds of everyday life were intentionally mixed into the music. Listening to the delightful performance - Kojima's grandparents, who he lived with, occasionally opened the sliding doors and came to see the boys recording. They would even have lunch together from time to time.As they repeated their recordings while the tape turned, the young men felt like they succeeded in intercepting the soundscapes of the world - like a folklore in a far-off distant country to one corner of the city of Tokyo. They were so excited.In contrast to the techno pop and new wave sensations that swept the musical subcultures of Tokyo in the 80's, the analog and acoustic sounds they played were somewhat nostalgic. Instead of edgy and futuristic synth sounds, they intentionally tried to portray in the sound the scenery captured on the monochrome screen of an old European movie, and the Japanese houses of the 1950s where they were born and raised. They yearned for the landscape on the veranda. D.I.Y. - a time when there was no word for bedroom recording. Suzuki and Kojima dreamed of nostalgic, new, popular music that no one had heard on cassette.This work, "Asagao", is the first cassette work in a series of several demo tapes produced before the debut of "World Standard" (produced by Haruomi Hosono from NON-STANDARD label in 1985). In addition to being distributed among the members' friends, copies of the cassette tapes were sent to NHK-FM “Sound Street” (Tuesday personality: Ryuichi Sakamoto) - a demo tape special that had started broadcasting from the previous year, as well as cassette magazine “TRA” and Alpha/YEN labels who dubbed and passed out about 20 copies of the cassette. The original tape was restored by remastering, without changing the order of the songs at that time, and will be released for the first time on vinyl LP."Asagao" was remastered by Masato Hara. The cover was redesigned by Yu Yokoyama from the original design of the cassette, and all other design work and configurations, including the inserts, are also handled by Yu Yokoyama. Scheduled to be released in September 2020.conatala · World Standard - 「プリマ」: Prima

New exclusive vinyl release from MELCURE.This time the label propose a Various artists ep with 4 outstanding tracks produced by TLGFDN, the duo AHORA alongside Mato and label honchos Dani Casarano and Felipe Valenzuela.