Jonny From Space
Back Then I Didn’t But Now I Do

ABT070 - CA - 2018Time Travel by Graham Van Pelt

Mona Musique releases a sampler EP that contains three tracks selected by label manager Nick V, taken from the golden age of Italian House Music, two of which are exclusive to the EP.

“For Playful Manners” is a new label run by Raquel Rivera-Lys aka Adi from Colombia and Basic Moves head honcho Michiel Claus aka Walrus from Brussels. Dreamt up spontaneously during a shared afternoon of listening to music in Berlin, the label’s manners centre on the feelings of friendship and fun in music, though its feet are always itching for the dancefloor and its various scenarios, while its head is turned firmly towards the future. Crisp music is the message every time, with each split EP also thoughtfully balanced: male/female, machine/soul, robot/alien, flower/tree... The artwork takes the form of a puzzle, which has to be solved to discover the tracks and their makers. Let’s play!

A multi-system conglomerate servicing planets within the Orion Arm of the Milky Way, TerraFirm provides the desiccated, toxified, irradiated or otherwise uninhabitable planets of this sector with a suite of services to rectify any environmental challenge. From geoformation to carbon extraction, desalination to biome rehabilitation, TerraFirm has a full range of services to return your planet to its naturally thriving, pre-apocalypse state.

In Detroit, folks know that Jazz is the teacher. It's a part of so much here. from Motown to Funk and beyond. So there is no way to separate the genres. Detroit's long history of Jazz venues has inspired artists, even when they're gone. The spirit and power of the Graystone Ballroom, the Bluebird, Bo'macs, and others lives on in a new generation of musical artists. And the Timeline continues moving forever forward!!!

Produced by the late James Marcel Stinson and released in 2001 via Supremat, a short-lived sub-label Tresor dedicated to a more abstract and experimental electro sound, ‘The Opening Of The Cerebral Gate’ was conceived as the second part of the so-called Drexciyan Storms – a whopping stack of seven albums by theDetroit pair released under dierent monikers within a single year. This phase marks a groundbreaking time for the duo, their cosmos breaking wide open, right at the dawn of a new technological era in electronic music production. All this is deeply reflected in Transllusion’s first album. This phase marks a groundbreaking time for the duo, their cosmos breaking wide open, right at the dawn of a new technological era in electronic music production. All this is deeply reflected in Transllusion’s first album.