Inkasso
Zeichen im Schacht der verschleierten Tatsachen

Sung in the language of the in-between-worlds, diasporic human snacks are vibrating their sonic manipulations in tribute to the lonely & oblivious Mr. Naster.Pulses interpreted and expressed by Nushin Naini on fried farsi-like vocals & bass. Nicolini on drums, sax and miscellaneous objects.

To mark EPM’s 20th anniversary we’ve been releasing a series of EPs, each one focussing on a different genre. In May we brought you a taste of Techno with Robert Hood, Ben Sims, James Ruskin and Mark Broom each delivering their distinct production skills, whilst this September sees the release of our second EP bringing together cuts by some of Electro’s leading lights - The Advent & Zein Ferreira, Carl Finlow, Detroit’s Filthiest and Modulator (a.k.a. Freddie Fresh).For the third and final EP in the series we turn our attention to House music, and once again we’ve commissioned four brand new and exclusive tracks from artists who we’ve had the pleasure to work with over the years.First up is none other than a Detroit Techno founding father and the TechnoSoul innovator himself Eddie Fowlkes, who delivers a classy opener in ‘1-2-3’ that’s deep yet vibrant and showcases his legendary status. Next is a fellow Motor City modernizer, Jon Dixon whose musicianship and productive talent takes him from jazz to techno which he skilfully brings to ‘Mack & Bewick’. Motech Records’ founder DJ 3000 brings us the spirit of ‘Summer 1995’ as he briefly steps away from techno to give us this uplifting sun-drenched stunner. Final track ‘The Beat’ comes from Rico & Sonny, the pseudonym of Chicago based DJ duo and production team of Adam Stolz and the talented Tim Baker, recorded before his devastating and untimely passing. His music lives on and we’d like to dedicate this EP to him.

The Italian producer and founder of the Berlin-based label "Sonic Interface Records" has long been influenced by many subgenres of dance music; from electro to techno-acid music before combining them in his pioneering first ep . "Sonic001'' which sees Michael Space gravitating towards a different kind of electronic music, driven as much (or more) by analog sequencers, marked vocals, melodies and experimental sounds between space bass lines and acid sounds of the most common bassline 303 synthesizer, as by drums and percussion.

Denham Audio makes his long awaited debut onto Club Glow with the Thirty Eight Snub EP. 4 ruff cut breakbeat jungle tracks feature the legendary Grime MC Trim on the title track.