Joel Holmes
Osmosis

CAM017 - FR - 1982/2020RPInspired by Dadaism, ancient tribes and natural life they self-produced and released this album in 1982.The result is a blend of experimental synth-pop combined with some german spoken word and french madness.For sure "Semite" with its shamanic percussions will get your attention but other synth oddities includes "La Vie des Animaux" , "Auf Dem Lande" and "Kangourou" too.If you're more into french arty synth-pop "Dancing","Nuit de Chine" and "Der Spiegel" will definitely convinced you.Remastered and limited to 300 copies

Tune your ears and mind will follow.Time standing still real fast. Fade / reform.1st release on Jonny Rock's own label, showcasing his original works.

2022 Reissue of this split electro Mini-LP originally released on 2009.

Second Circle return with a special one-off album of music by Belgian producer soFa, German musician Houschyar and the legendary Turkish drummer and percussionist Okay Temiz.

Cryptobitch has officially infiltrated, and corrupted the Planet Euphorique mainframe. The 17th release on the label orbits beyond tangible earth and seemingly slides into the new age of sexy cyberspace. 7 tracks of eclectic lysergic bliss, spanning speeds and servers; originally recorded over 2010/20 and re-released into today’s future; making more sense than ever. Hosting post-hyper electronics, recontextualized data and warped familiarity with metaphysical links to patterns of hacking; crashed genres and next-gen dance excursions flow throughout the record, only broken by bot-breath and text to speech realness. Hot-wired rhythmic signals scurry and disperse as your senses awaken, a harshness perfectly calmed by surfing over textures of the digital sublime.The Bitchy & Glitchy soundtrack to your personal, anonymous chat room fantasy.

In the early-to-mid 1970s, Belgian recording engineer and synthesist Daniel Lacksman née Lanckmans recorded and released a series of pop music records, using early analog synthesizers as a central sonic element. Under an admittedly confusing array of names, Lacksman (who later founded the group Telex) created music that was equal parts innovation and ear-candy accessibility. Those often happy-go-lucky records gained some popularity throughout Europe, but their lasting influence can be heard in the music of Portishead, Massive Attack, The Moog Cookbook, and Air, not to mention among the lengthy list of 21st century artists who have sampled these recordings. And a casual survey online quickly reveals that these records are among the most collectible of their kind, with original copies commanding hundreds of dollars. Among those albums, the one Lacksman recorded in 1973 under the pseudonym Electronic System featured the first full flowering of his synthesizer mastery. His hit recording 'Coconut' had enabled him to buy a modular synthesizer, which offered a vastly expanded sonic palette'if you had the patience to re-wire for each sound you wanted to achieve. Which was the perfect set-up for a studio engineer like Lacksman'the result is an album full of sonic surprises, with each track presenting multiple, unique synthesizer tones and attacks, even on such nakedly commercial moves as his cover of Ritchie Valens' 'La Bamba.' An analog synth tour de force! Our Real Gone Music reissue has been mastered for CD and LP from the original tapes by Lacksman himself, and feature liner notes by Bill Kopp that include exclusive quotes from Lacksman and photos from his private archive.