Various
Needs x Green Vinyl present The Future Of Vinyl

Code Versus by Joni Void + Sarah Pagé

The Detroit Dude EP by Ryan Sadorus

Koincidence by BARNIKLE·FREEE

Delsin is pleased to welcome a true pillar of the contemporary techno scene, Answer Code Request, for his first EP in six years. As an integral part of the Ostgut Ton family since breaking through some 10 years ago, Patrick Graser has shaped a patient but potent discography which embodies the hybridised nature of techno in the 21st Century. His distinctive style of melodically embellished, subtly fractured body music helps define the contemporary zeitgeist, but it also moves with enough emotional maturity to stand on its own terms as compelling, artist-led electronic music. Arriving some four years after his second LP Gens, the Shattering EP opens in an especially exploratory mode as Graser teases elements of breakbeat and ambient techno on the spellbinding 'Resonate'. 'Shattering' finds a different palette through which to explore broken rhythms, leaning in on a heavyweight bassline injected with rave-wired distortion. There are more linear techno pulses to be found in the tunnelling propulsion of 'CRS-21', but in the interests of contrast the EP closes with the sparkling refraction of 'Sustaining Life', a floor-ready masterclass in electronica with teeth.

INIT is Benedikt Frey & Nadia D`Alo. We are delighted to present their long delayed vinyl and digital album, NRGY.Born out of various art performances and installations, INIT states a logical outcome of Berlin based duo Nadia D`Alo and Benedikt Frey. With heavy use of analogue synthesis and drum-machines, INIT rethinks its genre's sonic approach, unfolding a unique and organic, yet alienating sound, somewhere in the mysterious midst of Acid, Techno, Ambient and Kraut-Rock.This is INIT's third album, following two releases on Hivern Discs, and performances at clubs such as Berghain, Robert Johnson and Pudel Club.INIT say -Module, NRGY, and Time were reverse extracted out of our live set and re-recorded and re-arranged after we realised how well they work in clubs. It is the first time we worked this way as we tend not to play our compositions live, like we produced them. Mostly we just extract loops out of our production to mess around with in a loose live project.Snowglobe, Holes In My CV and N.O.D. were more built up from a studio jam plus a bulletproof-ish arrangement afterwards.Tried and tested on dance floors this is a surefire hit album on the dancefloor, and at home. NRGY!