Le Ren
Leftovers

ABT085 - CA - 2020Life Is Crazy, the accurately titled new record from Sean Nicholas Savage, is unlike anything we’ve heard from the cult balladeer. No drums or bass on the album, the accompaniment consists strictly of pure piano and lush strings, leaving Savage’s songwriting bare to the listener like never before.“For a fresh direction here, i've attempted to reduce the focus to just songwriting and singing. particularly contemplative ballads, which through the years remain closest to my heart. i've aimed for a vocal spirit and energy that closely resembles my live performance, which is an integral part of my identity as an artist not always represented in my recorded work.”

Habibi Funk 023: Marzipan by Charif MegarbaneHabibi Funk is excited to share “Marzipan” — our first full length contemporary release courtesy of Beirut’s multi-instrumental producer phenomenon Charif Megarbane. The LP is a journey into Charif’s styling, one he terms “Lebrary”: a vision of Lebanon and the Mediterranean expressed via the prismatic sonics of library music. Drawing influence from artists that encapsulates the Habibi Funk sound such as Ziad Rahbani, Ahmed Malek and Issam Hajali, Charif translates these influences into an LP that is equally at home in ’23.

Musica Per Immagini is pleased to announce the first release on vinyl of Franco Micalizzi's soundtrack to the film “Delitto Sull'Autostrada”, directed by Bruno Corbucci and starring the Italian-Cuban-American actor Tomas Milian. Eclectic, innovator, full of life and energy, out of the ordinary, the composer is best known for his scores in poliziotteschi films such as “Roma A Mano Armata”, “Napoli Violenta” or “Italia A Mano Armata”, whose theme was used also in Quentin Tarantino's “Death Proof”. The music for the third chapter of the so-called 'delitti' series, centered on the character of Nico Giraldi, reflects the artist constant search for a 'circular' groove of great impact, common to scores composed for previous crime films: the unmistikable sound of the clavinet and the brass of his big band, a funky mood 'borrowed' from beatmakers all around the world, is here 'evolved' in an electronic key, thanks to a skinfull use of keyboards and synthesizers.

Hesnawi crafts restless grooves with evident buttressing from a reggae foundation. Highlighted across the LP is how Hesnawi essentially pioneered such an effortless synthesis between traditional Libyan music and Jamaican reggae stylings, plus the endlessly disparate funk, jazz, and disco accents which firmly situate Hesnawi in a league of his own.

8:12pm by Vincent Khouni

ATA Records are proud to announce this new double A-side from The Sorcerers featuring, on the flip, the first release by The Outer Worlds Jazz Ensemble.Exit Athens marks the start of a new era for The Sorcerers. Continuing their investigations of Ethio-Jazz and 60s and 70s European library music, the group is now formed around Joost Hendrickx (Kefaya, Shatner's Bassoon, Abstract Orchestra), Richard Ormrod (saxes, flute & keys) and ATA label head, bassist Neil Innes. Exit Athens features a driving funk engine room with exotic percussion, vintage keyboards, and the classic Addis Ababa combination of vibes, flute and horns. The aim is to double-down on previous album successes The Sorcerers and In Search of The Lost City of The Monkey God, expanding their tonal palette whilst tightening their focus, with the intention of producing multiple albums of solid analog cuts, every one of which will appeal equally to DJs and audiophiles alike.