Rub800
Port Escape EP

A double 12 inch of rather fine DJ Sotofett remakes of the debut LP by Irish post-punk producer Stano. How this record came about has been lost a bit to the midst of (recent) time, back in 2018 when the label repressed "Content to Write in I Dine Weathercraft" the 1983 debut LP of one of Ireland's more enigmatic musical characters - they slid it the way of the versatile Norwegian polymath who suggested a remix, which quickly became two and soon ended up a full six track suite. It was put it aside for a bit, became a bit longer, then the artwork - pieced together by the Sex Tags boss himself cutting up features from Irish fanzine Vox - and the general lag of production in the post covid world and here we are the guts of 5 years later!

Bizarre Trax co-founder and all round funk ambassador B.Love penetrates 2024 with the inaugural release of his eponymous label. The “Music Dance Experience” EP sees the rising talent address familiar animated territory with his playful productions, and charming groove spread thickly across four tasty funk-electro cuts. The UK producer has crammed this one with sexy peak time action, nostalgic sampling and perky vocoders, all with a certain french touch.

German label Bondage Music delivers the tenth instalment of its ‘Bondage Games’ series. Another vinyl only release, this time with four fresh tracks from Dachshund, Sascha Dive, Pornbugs, Markus Homm and Alex Ranerro.

After a five year hiatus Luke Slater reanimates his L.B. Dub Corp alias for a dynamic, vocal-led ode to the club featuring Robert Owens, Paul St. Hilaire, Miss Kittin and more.

Éditions Appærent is extremely proud to present the original soundtrack for Christopher Makoto Yogi's film I Was a Simple Man, composed by Alex Zhang Hungtai and Pierre Guerineau.I Was a Simple Man is a ghost story set in the pastoral countryside of the north shore of O'ahu, Hawai'i. Revealed in four chapters, it tells the story of an elderly man facing the end of his life, visited by the ghosts of his past. Incorporating familial history and mythology, dream logic and surrealism, I Was a Simple Man is a time-shifting, kaleidoscopic story of a fractured family facing the death of their patriarch that will take us from the high-rises of contemporary Honolulu to pre-WWII pastorals of O'ahu and, finally, into the beyond.The soundtrack is a delicate, elegaic paean to Hawai'i as it appears in the film; lush and florid; subtly psychedelic; bathed in moonlight. The sound of the island — the spirit of the island — is as much an instrument as Zhang's saxophone or the scattered, raindrop piano that peppers the record. Even at harsh peaks, like a no-input mixer talking to itself like a lonely ghost, the record retains a sense of quizzical calm. Both nothingness and interrogating nothingness; misery and magic.

The Fifth record from the friends for the bag.A slip into the sound of Future Motion for a new paradigm.Following a successful release that started the UFO Series, Future Motion goes into sounds for different arenas and pushes tools to technique.Four sounds to share Where We Come From...