Various
Lèspri Ka : New Directions in Gwoka Music from Guadeloupe 1981​-​2010

Fortuna Records reissues an incredible Greek belly dance scorcher by little known artist Koko. Following the Israeli Greek craze of the ’60s and ’70s, Moroccan singer Koko learned how to sing in Greek and delivered this tavern-style party masterpiece. Organs seer through hard drums and pounding bass while Koko’s deep voice guides through the evocative world of Greek tsifteteli. For lovers of Aris San and Levitros.

The third release from Canopy features the title track from a tough to catch Afro funk 7” originally released on private press in Benin in the 1980s. While information on the mesmerizing Tomede Ehue remains elusive, she is backed by the Beninois powerhouse, the truly almighty, “TP Orchestre Poly-Rythmo de Cotonou”.Electrifying cosmic voodoo disco grooves, heavy bass pulsing, blistering horns and spooky organ riffs set the tone on this transcendental dance floor afro funk cut. A modernized tropical disco remix from bosq & an Afro - acid version from Sam Redmore revitalize this mysterious dance floor incantation and launch it into the present day.These tracks strike a balance between moody afro psych-funk and more punchy electronic aesthetics, while maintaining the subtleties of the original composition and performance.

Shrimp Boats by Lionel Pillay feat. Basil Mannenberg CoetzeeAssembling unreleased recordings from 1979 and 1980, Shrimp Boats is a South African jazz archival compilation from 1987 built around its epic side-long title track featuring saxophonist Basil "Mannenberg" Coetzee. The recording was made during pianist Lionel Pillay's November 1979 session with Coetzee for the As-Shams/The Sun album Plum and Cherry. Side Two is composed of material recorded in September 1980 from the session for Lionel Pillay's Deeper in Black album. The 1951 pop standard "Shrimp Boats" was first given its unlikely jazz arrangement by Abdullah Ibrahim (recording as Dollar Brand) in 1971. Pillay and Coetzee take this seed of an arrangement to its furthest reaches with their mesmerising performance. Although the title track casts a big shadow, Pillay's "Slow Blues for Orial" is a welcome original composition on the flip side that stands proudly next to a rare 1970s cover of Winston "Mankunku" Ngozi's "Yakhal 'Inkomo" (Pillay was the pianist on Mankunku's original 1968 recording) featuring saxophonists Barney Rachabane and Duke Makasi. The set closes with a nod to the contemporaneous jazz fusion scene with a take on Weather Report's "Birdland" from 1977.

TODO EN SU MEDIDA Y ARMONIOSAMENTE by EL TRIO (LAPOUBLE, LEW, CEVASCO)Mega rare 1974 jazz funk rock album recorded by Argentina’s top jazzmen Pocho Lapouble, Ricardo Lew and Adalberto Cevasco (also members of Quinteplus, Jorge Lopez Ruiz’s band and Gato Barbieri’s group among many others).Includes the irresistible fast-paced funk rock track ‘Se Acabó el Recreo’ and the ethereal ‘Todo en Su Medida y Armoniosamente’ and ‘Haceme Shaft’, featuring Patricia Clark on vocals and unexpected moog arrangements.First time reissue, with remastered sound and original artwork.