Hamid El Shaeri
The Slam! Years (1983-1988)

The 2 Smooth World Vol. 1 Album broadcasts a highly addictive tale of electronic frequencies. A whole universe of musical explorations, ranging from twisted electro to more dubby compositions, beatless ambient ballads, classic house nostalgia - naturally flowing into oceans of acid & bass.

Regulus by Hélène Barbier

Tiar ignites the label with Ambient Occlusion with this statement of a 4 tracker. The homonymous track borrows subtle melodies from ambient techno until a destroying amen break cuts into the track with sheer violence. Both MNRLS and Shading Lines expose Tiar's years of training and deep knowledge in breakbeat mangling techniques. For closing the release, Games Sense chisels the main track into an ever building, abrasive, tense, and sub-heavy grime-flirting bomb.

After his debut LP ‘Temmuz’, released at the beginning of last year, Houschyar is back on Macadam Mambo with his new album: a less danceable but more personal opus. Being locked up on the rooftops of Istanbul, Houschyar repurposed a satellite dish, making use of its perfectly round and concave shape to create strange metallic-sounding percussive loops which he painted with sonic atmospheres that contained diverse shades of blue. ‘Mavi’ is an introspective pallet of emotions condensed into 7 hybrid compositions highly improvised which divagate into a very jazzy modern state of mind, jamming with pianos, electronic organs and rhythm boxes to produce another type of spiritual music that sounds absolutely timeless. In a very prolific year - with his release with DJ Sofa and Okay Temiz on Music from Memory and the initial EP of Raphael Kosmos’ newborn label Späti Records -, Marius Houschyar leaves no doubt about the level of his talent and him being part of a new generation of artists to keep a close eye on. To discover as soon as possible!

LEVA LEVA : LITANY OF THE PORTUGUESE FISHERMEN by Various Artists

'Floppy Computer' is the newest set of future-gazing grooves from Periodica Records and label partner Raffaele "Whodamanny" Arcella rescuing and restoring forgotten tape compositions from a legendary Italian pop producer using the pseudonym Nico Mecca. Produced during the years 1979-1985 using cutting edge home recording techniques and the latest synthesizer. The productions across the works are incredibly forward-thinking for that time with inspirations and track titles refering to hypermodern tech and a proto-cyberpunk soundworld and progressive rock and experimental electronic music that features novel combinations of mediterranean boogie, robotic funk, sci-fi balearic, hypnagogic pop and astrotribal jazz. The discovery of the 'Floppy Computer' project is dictated by destiny and a strong cosmic interference as not only were these tracks produced by Mecca during his 30s, they were discovered 30 years later by Raffaele Whodamanny, who is also in his 30s-- facts that give the project a mystical and numerological significance, since this number and age represent a divine midpoint between youthful enthusiasm and the wisdom of experience. Amazing record with both historical as creative value!