Christian Reim Trio
Christian Reim Trio

CLP1214 - DE - 2019RP

Fågelbörs - Marjassa by Ultraääni RecordsIn February 2020, just in time before the outbreak of the ongoing pandemic, four avant-garde jazz/free improvisation enthusiasts got together to play and hang out. The place for their meeting, a cosy studio (Odd Funk Records) in a small town in Southern Finland, has during the past ten years received a certain reputation - that of analogically recorded and mixed raw funk, afrobeat and a bit more twisted jazz.These four pals, now known as Fågelbörs - drummer Jaakko Tolvi, the bassist Tero Kemppainen, saxophonist Matti Luokkanen and trumpeter Tuure Tammi – represent what could be called third wave of improvisatory music in Finland, Tolvi and Kemppainen being among the starting members of this wave in early 2000s.Part 1 of the Marjassa LP is reminiscent to 60s avant-garde movements both soundwise and musically. It builds on the bubbling of the drums and bass and the solo exchanges between sax and trumpet, reminding of some of Ornette Coleman/Don Cherry stuff (or perhaps Noah Howard/Ric Colbeck). On the flip side we find a slowly moving atmosphere that builds towards a surprise in the end, a combination that might have structural reminiscence with Art Ensemble of Chicago live concerts. May the cheerful whistle stay with you dear friend...

Didymus by John Haycock & John Ellis

Illegal Jazz Vol. 2 was a strictly limited edition and now finally 2.1 is ready to see the world!4 Disco-Jazz-Funk from the 70ies reworked by Delfonic & Kapote.

Four Flies keeps digging into the secret archives of Alessandro Alessandroni to bring hidden treasures back to light. After two successful releases - the EP Afro Discoteca and the compilation album Lost & Found -, it is now the turn of a new 7’’ single featuring two tracks with a strong soul-funk influence, sung by the Maestro’s beloved Cantori Moderni in a typically Italian harmonizing style, poised somewhere in between gospel and disco music. Both tracks are previously unreleased and were recorded in the same 1976 sessions that birthed Sangue di sbirro (Knell / Bloody Avenger), his most blaxploitation-inspired soundtrack.“Shine On”, on Side A, is a disco-funk anthem driven by a killer rhythm section, with heavy drum breaks and bass lines enhanced by a powerful brass section, string interludes and Fender Rhodes phrasings with a distinctly jazz-funk flavour. In the same vein, “Prohibition” on Side B is a mid-tempo funk floor-filler built on a super groovy bass line on top of which are layered prominent brass and Wurlitzer passages. This is another great find that expands the known horizons of Alessandroni’s discography. And it won’t be the last one...