Esa & The Invisible Hand
I See You / Awh No Wahala

La Rama Records · [PWTR001] Ben Nevile - Power Trio EP (Power Trio)

Wheez-ie's uncompromising rave anthems get a wild ride of remixes from Tim Reaper, VTSS, DJ Stingray 313, Aura T-09 & CardopusherAn of-the-moment remix EP full of bold, dark, and relentless warehouse thrillers.On January 14, L.A.-based producer Matt "Wheez-ie" Mauldin follows up October 2021's Horizons release on Evar Records with an of-the-moment remix EP that's cathartic, riveting, uncompromising and altogether powerful. Wheez-ie gathers together an all-star cast of dancefloor iconoclasts who reinterpret his singular '90s-referential rave visions to thrilling affect – this is all killer, no filler warehouse music for those who are brave enough to take the ride.

Welcome to the world of Night Time Transmissions -- here/hear the anxious calls of sleepless tenants, interdisciplinary collaborations, night walks, urgent canons and chants of cosmic healing. Bergur Anderson's first album is an ode to the voice, and a deep dive into the rich waters of polyphony and polyphonic storytelling.

Figurant sur le second various de Kump, Maahrt signe ici son retour parmi nous. Ce septième disque est une pièce aux deux faces traversées d'un même trouble. Quand « Gault » martèle des réminiscences big beat contre l'austérité d'une trame industrielle, « Clag » vibre de breaks habités d'échos et de voix. L'un frappe, l'autre fuit, tous deux se déploient en artefacts mitoyens et pourtant si singuliers. Il faut bien attendre le dernier titre « Noma » pour tenter un pont dans le lieu mince laissé par ces deux masses noires. Ce pont, A Strange Wedding l'imagine en plan-séquence cyberpunk aérien tandis qu'Odopt le sculpte en angles bruts. Osez pénétrer dans ce labyrinthe plus grand qu'il n'y paraît, il se pourrait que vous souhaitiez y rester davantage que ce que vous croyez.Featured on the second various out on Kump, Maahrt is back among us. This seventh record is a two-faced coin pierced by a single disturbance. When « Gault » pummels big beat remains against an industrial frame, « Clag » vibrates from breaks resonating of voices and echoes. One hits, the other flees, both extend in twin yet singular artifacts. The track « Noma » comes at last as an attempt to bind both sides in this narrow place in between two dark spaces. A Strange Wedding re-imagines this bridge as an aerial cyberpunk movie sequence whereas Odopt sharpens its angles. Dare to penetrate this labyrinth bigger than it seems, you might wish to stay there longer than you think.

DE283 - US - 2021darkentriesrecords · Patrick Cowley - Some Funkettes CLIPSDark Entries is humbled to continue digging through the archives of legendary producer Patrick Cowley. While best known for his production on chart-topping cybernetic disco anthems such as Sylvester’s “You Make Me Feel (Mighty Real)” or his own “Menergy”, Cowley, who passed away from AIDS-related illness in 1982, left us with a substantial body of work. Since 2009, Dark Entries has been working with Cowley’s friends and family to shed light on the lesser known facets of this singular artist’s output. This has resulted in a string of celebrated archival albums, including Catholic (featuring Jorge Socarras), School Daze, Muscle Up, Afternooners, and the recent Mechanical Fantasy Box. Some Funkettes, the latest addition to this series, is a collection of previously unreleased cover songs recorded from 1975-1977. These raw, unembellished tributes both showcase Cowley’s early musical interests and chart the development of his production techniques. Some Funkettes opens with Cowley’s sauntering instrumental rendition of “Do It Anyway You Wanna”, the disco classic by People’s Choice. Next is a psychedelic reworking of the Temptations’ “Papa Was a Rolling Stone”, here hazily retitled “Papa Wuzza Rollinston”. Over its 7 minute runtime, the track’s metronomic, minimal groove builds to a frantic synth solo - this is pure Bay Area motorik. “Spiked Punch”, a curious riff on Herbie Hancock’s “Chameleon” follows. Cowley’s lurching, minimalist reimagining of Hancock’s opus prefigures the work he would later do on Sylvester’s masterpiece “I Need Somebody to Love Tonight”. Side B opens with a truly important historical document: Cowley’s cover of Donna Summer’s “I Feel Love”. The Moroder-produced disco anthem was a critical influence on Cowley - he would later resculpt the original song into arguably its highest form with his 15-minute-long remix. The instrumental cover version here is sparse and euphoric, brimming with classic Cowley synth signatures alongside the infectious Moroder bassline. A relatively faithful take on Bazuka’s 1975 funk classic “Dynomite” follows. The record closes with the dub version of “Spiked Punch”, which highlights developments in Cowley’s recording and synthesis techniques by way of its resonant burbles and spring reverb-laden passages.Some Funkettes was made possible with help from Patrick's brother Jim and his former studiomate Maurice Tani. All songs were mastered for vinyl by George Horn. The sleeve is a collage designed in 1975 by Cowley’s former roommate Francesca Rosa that was found covering a reel to reel box. It features a yin-yang symbol and a photograph of a scruffy 24 year old Patrick, to which we added his original handwriting. Each record comes with an insert featuring a four page essay by Francesca as well as a postcard featuring liner notes and a photograph by Cowley’s roommate and best friend, Theresa McGinley. Vocal versions of “Papa Wuzza Rollingston” and “Do It Anyway You Wanna” are included as bonus tracks on the digital and CD releases. This peek into Cowley’s formative years arrives just in time for what would have been his 70th birthday.