BSS
Bredius (Limited Edition)

Warzone by The Missing BraziliansClear vinyl repress, limited to 1000 copies worldwide, of a sought after rarity in the On-U Sound catalogue. Last pressing was done in 2016 and is long gone so grab this opportunity to add this Science Fiction Dancehall Classic to your record collection.Originally released in 1984, this is one of the most envelope-pushing records on the On-U Sound label: a rhythmic collision of noise, dub and electronics. Adrian Sherwood pushed the possibilities of the studio to the limit, capturing dystopian mid-80s cold war menace with layers of spatially-disorientating percussion, alien keyboard sounds and teeth-rattling distortion. Features vocal contributions from Shara Nelson (Massive Attack) and Annie Anxiety (Crass Records).Re-cut at dubplates & mastering in Berlin for maximum bass pressure. Includes a fold-out poster insert, and download card for full album plus a previously unreleased extended mix of “Ace Of Wands”, their contribution to the classic first volume of the longrunning Pay It All Back series.

Klasse Wrecks' sub-label Junglish Massive returns for a third installment of breakbeat beat chaos, this time brought to you by friend of the label..Alphonse. The 'Android Mash' EP is an epic ode to Jungle, mangled and squashed together through a lens of classic drum and bass references. The title track spans over 15mins and invites the listener to join in on the journey of constant shifting and movement. Its Jungle...but not as we know it!

Kennedy again uses the power of machines to translate his late-night dreams and spaced-out thoughts into two tracks of borderless hi tech soul music. This second musical manifestation of dreams is the newest in a unique series of thoughts, sensations and sounds occurring from a person's mind, translated by machines.These are sounds that are always playing somewhere in your deepest subconscious mind. They're like a portal into another dimension where predictable arrangements do not exist. Chords seep and bleed into one another. Melodies drop from above like the liquid colours of an acid trip. They have blurred edges. The cloudy focus of each track means you sink in deep and latch on to an astral synth line that takes you higher, or find yourself gazing in wonder at the sci-fi bleeps that gently drift by.

Modal Forces / Percussive Forces by Kirk DegiorgioLike a long-lost Holy Grail album from the mid-seventies, Kirk Degiorgio’s latest project explores both Modal Jazz and Seventies Jazz Fusion in the Library album format. Side One swings with a vengeance with its tight arrangements built around acoustic bass, electric piano and glorious analogue synth leads and side 2 takes us on a journey of funk fuelled, percussive workouts and heavy breaks. The contribution of renowned session drummer Chris Whitten adds to the authenticity of the album as does the use of vintage, analogsynths.

2024 repressJuan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness.‘Transport’ – the full length effort brings together a set of studio-refined sequences aimed at colonizing some of the dark energy thatpulsates through those areas that are thoroughly electrified, even if not ‘on the grid’.The Detroit-Berlin axis triangulated to a third point which, like the atomic particle that lives in two places at once, flickers between aform of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts.Borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic soundmaking.The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in everyminute.