Various
Tiny Planet Vol. 4

CAM017 - FR - 1982/2020RPInspired by Dadaism, ancient tribes and natural life they self-produced and released this album in 1982.The result is a blend of experimental synth-pop combined with some german spoken word and french madness.For sure "Semite" with its shamanic percussions will get your attention but other synth oddities includes "La Vie des Animaux" , "Auf Dem Lande" and "Kangourou" too.If you're more into french arty synth-pop "Dancing","Nuit de Chine" and "Der Spiegel" will definitely convinced you.Remastered and limited to 300 copies

Debut release by Mills Boogie on Cape St. Francis coming up... Analog electro bangers straight out of Antwerp, Belgium (a city drenched in 303 squelch).. One for the acid freaks and electro geeks!Gear used: Roland Tr-808, TR-626, JX3P, alphajuno2, SH101, SH09, RE-150. Korg VC10, MS10. Yamaha Sy85. Octave the Cat, Crumar bit99, TT-303, Sequential TOM.Mastered by Rude66.

Black Truffle is pleased to present Sylva Sylvarum, an epic new work from Ora Clementi, the collaborative project of crys cole and James Rushford. Primarily conceived and recorded over several months together in Melbourne, Sylva Sylvarum is a stunning step forward from the mumbled, creaking sound world of the duo’s debut, Cover You Will Softer Me (Penultimate Press, 2014). From the opening ‘Peach of Immortality’, which takes an unpredictable journey from layers of chiming bells, vocal harmonies and lush synth pads to a desolate landscape of half-animal, half-digital wooshes and cries, it is immediately clear that cole and Rushford are working here with an entirely unique sound palette. Throughout the record’s four sides, we hear a large array of carefully detailed synthesizer sounds (many of them recorded at the remarkable Melbourne Electronic Sound Studio), sparse drum machine hits, wind instruments and field recordings of animals, often with a twistedly late 80s/early 90s flavour that at various points calls up New Age references, Robert Ashley’s later operas or the thinned-out textures of early digital GRM.

Sticky Plastik’s first release combines French and UK artists to create a gritty, punchy V.A with a slight twist of electro. The A-side has 2 tracks from Marseille based Lamalice, who has released on labels such as Sentaku and Shotgun. Minimal tech-house roller blended with melodic and groovy textures. The first track on the B-Side, ‘Motivation’, is the first track to be released by Marcelina Wick, the founder of Sticky Plastik. Silverlining is on remix duties to finish off an energising, refreshing V.A.

The debut release from Cerrot, a Puerto Rican artist delivering some energetic modern raving techno tracks. The Plasma distortion unit pedal is at the core of the EP's raw, harsh and undone style. "Iteritax" is defined by a strong percussion and a variety of modular synth recordings. "What started out as daily jam sessions effortlessly transformed into tracks and ultimately this EP. This approach has allowed me to tap into an infinite source of inspiration. Once I started jamming I had so many routes to take and it all just flowed for me. This same sense of freedom is what I aim to bring out in people with these tracks." - Cerrot

Second Ballet Mechanique re-issue from the Eevo Lute archives. Originally released in 1997, it was his second appearance on the legendary Eevo Lute imprint. The Borrenbergs 12 EP II marks Jeroen Borrenbergs return with three jams of 90s feeling electro and half-stepping techno that easily passed the test of time. First track 'Where's The DJ (Pissbreak Mix)' counts over 13 minutes of gritty acid electro, making a halfway transformation into a moody two-step mover. The perfect two-in-one track gives you all the time to go for a toilet break while still being in the mix ;). On the b-side the emotive side of Borrenbergs returns to the surface, with 'Vinyl Voyage' being a spooky bleep jam and 'Diamond Cut' presenting his trademark bassline energizers. Fully re-mastered 2021 edition.