GW Edits
Two Sides Of Sympathy

12inch release of highly sought after Colored Music edits by Tokyo's Chee Shimizu (Organic Music). The two cuts originally featured on the band's seminal self titled album from 1981 and 'Heart Beat' remained a cult DJ secret weapon, for many years all over the world. This heavy EP includes an alternative version of 'Heart Beat' that featured on the Japan only "Individual Beauty" LP of 2018 (also compiled by Shimizu).

Erik Wøllo is a unique Norwegian musician that has been active since 1980, covering a wide range of styles but mostly known for his very personal take on electronic ambient music.In Silver Beach, gentle rhythms hold center for lush beautiful melodies to unfold, manifesting a restrained elegance in the way the chords hover around this percolating heartbeat. The result is synthetic walkabout music, an album of simple yet vibrant sophistication, perfect for wandering around or sitting contemplating imaginary beautiful vistas with eyes closed. These seventeen stunning tracks create a sense of ceaseless motion without arrival, the pleasure of traveling without destination: walking on an outer limits beach.An early electronic music masterpiece, it was made using the latest MIDI technology at that time. Everything was composed and recorded on the now vintage Roland MSQ700, and all the diverse synths and rack modules were mixed directly down to 2 track analog tape (no multitrack tape was used).The original Silver Beach album was released on vinyl on the Norwegian label Cicada Records in 1986. In 1988 the album was released on CD (also Cicada) and included the additional and very rhythmical tracks “Little Big Tune” and “Mountain Train.” The album was also re-released on CD on the Spanish label Margen Records in 2005, remastered and fine-tuned with 5 additional previously unreleased tracks from the same era. These tunes just refuse to be forgotten, their glittering beauty having both an air of nostalgia, but also of validity, as they continue to haunt new ears. There's no doubt that this is a classic of European eighties electronic music composition, a polished artwork with the best aesthetic and emotional signifiers of its era.

ABT061 - CA - 2017

DE004 - US - 2016Zwischenfall formed in Belgium with Michael Sass (synths), Martin Urban (bass/vocals) and Stephan Kraemer (guitar/drums) in 1982. They were united by musical sensibilities that combined electronic and traditional instruments developing the basis for their 1982 demo recordings. By chance Patrick Codenys of the Belgian electro pioneers Front 242< heard two songs and decided to record a 4-song EP for the electro band's newly formed label Mask. The “Heute” EP was released in 1983 after a week of recording in Front's private studio under the direction of sound-whiz Daniel B. Bearing in mind MIDI had not been invented at the time, the recording involved some extensive sound sculpting including the use of individual synths (PPG Wave, Syrinx, Roland System 100, etc.) for separate drum sounds. To create an organic feel to the combination of acoustic and electric guitar, a trumpet and a bass were incorporated into the electronic arrangements. Sonically way ahead of their time, Zwischenfall have a distinct sound with hard rhythms and melancholic melodies that blend minimal yet catchy electronics to create a very danceable production. All songs have been remastered by George Horn at Fantasy Studios. The EP features two bonus tracks from the “Heute” sessions never before released on vinyl: the uptempo "Tausend Jahre" and "Katastrophe" the demo version of “Flucht”. Each copy includes an 6-page press kit booklet with lyrics and photos and is housed in an exact replica of the original jacket.

Natural Law by mfp

ZORN66 - BE - 2020Arctic Winds by Maggi PayneFully immersive electronic music by US composer Maggi Payne, inspired by the arctic winds.Maggi Payne's sound worlds invite the listeners to enter the sound and be carried with it, experiencing it from the inside out in intimate detail. The sounds are almost tactile and visible.The music is based on location recordings, with each sound carefully selected for its potential—its slow unfolding revealing delicate intricacies—and its inherent spatialization architecting and sculpting the aural space where multiple perspectives and trajectories coexist. With good speakers, some space in your schedule, and a mind-body continuum willing to resonate with Payne’s electroacoustic journey, but then it will take you to places that other music can’t reach.From the sounds of dry ice, space transmissions, BART trains, and poor plumbing she immerses the listener in a world strangely unfamiliar. Maggi Payne is a composer, video artist, recording engineer, photographer, and flutist and is Co-Director of the Center for Contemporary Music and a faculty member at Mills College, in the San Francisco Bay Area.