Litia~Loe
Life Love Dance

Back in 2011, the REPITCH label debuted with "REPITCH 000", a brief compilation that featured tracks from the three originators: Pasquale Ascione (Ascion), Davide Carbone (D. Carbone), Nino Pedone (Shapednoise). Since then, the imprint has been a key player on techno's experimental fringes, pushing music that joins the dots between industrial, noise, bass, and hard dance. In ten years, they've released music from artists like Sote, Zenker Brothers, AnD, Sleeparchive, Regis, and VTSS, and to celebrate their anniversary, REPITCH has fittingly assembled another forward-thinking selection of tracks following on from 2017's acclaimed "Dys Functional Electronic Music.""Dys Functional Electronic Music X" is a state of the union from Ascione, Carbone, and Pedone that highlights not only their label's scope but its intentions for the future. Ten years in, the trio are just as motivated by broadening club music's horizons as they are filling dancefloors, and that's never more obvious than on opening track 'Mastice Riddim (VIP Mix)' from Shapednoise and Gabber Eleganza. The two producers meet at the exact intersection of their styles, with Pedone splitting Alberto Guerrini's fictile trance arpeggios using his patented hi- definition sound design and trunk-rattling drill rhythms.TSVI and Randomer excavate a similar mid-point on 'Overbite,' following on from 2021's "Reflex" EP with a booming, mindboggling fusion of warehouse techno and cybernetic dancehall. Pasquale Ascione's contribution 'Plugged (Heavy- Rotation Mix)' is a disarming future-retro cut, distorting vintage breaks with psychedelic bleep techno synths, while Carbone's 'Hypnotic Experimental Dance' does precisely what it promises, blotting grinding hardstyle kicks into dissonant waves of psychedelic electronics. Los Angeles ravers Baseck and Aura T-09 throw shades over the Cali sunshine on 'Angelz', losing gabber rhythms in tweaked DSP fizz but never dropping the crucial momentum.On the flip side, Italian mainstay DJ Plant Texture turns in a breakbeat slow- burner that sounds like Sheffield via Rotterdam but never dips into empty nostalgia. Russia's versatile Buttechno, meanwhile, brings a weightless sensibility to progressive minimal, layering cauterized harmonics over driving warehouse kicks and dreaming gently of the big room. The compilation switches gears at this point, centering a pair of rave-ready hard dance constructions from fwd-thinking Greek producers DJ Loser and MarcelDune, before grinding to a halt on sci-fi-tinged closer 'Digital Hoarder' from Low Income $quad's Strahinja Arbutina.

Manufactured and distributed by La Rama in Canada. We are extremely proud to help present this work to the world. Full art sleeve, poly lined inner sleeve and lyric sheet.Shops please contact distro@larama.ca for copies.Bernardino Femminielli is proud to present his first 2020 LP L’Exil. The album is composed of lost Plaisirs Américains sessions recorded in Montréal, Quebec. Lyrics were written and recorded in Paris and Berlin in 2019 and mixed again in Montréal in early 2020 by producerDominic Vanchesteing (Plaisirs Américains, Double Invitation). L’Exil is the “pre-conclusion” (Prequel / Part 0) to two other LP’s— Johnny 4ever (Part I) and Nobody’s Boy: Johnny (Part II)

Figurant sur le second various de Kump, Maahrt signe ici son retour parmi nous. Ce septième disque est une pièce aux deux faces traversées d'un même trouble. Quand « Gault » martèle des réminiscences big beat contre l'austérité d'une trame industrielle, « Clag » vibre de breaks habités d'échos et de voix. L'un frappe, l'autre fuit, tous deux se déploient en artefacts mitoyens et pourtant si singuliers. Il faut bien attendre le dernier titre « Noma » pour tenter un pont dans le lieu mince laissé par ces deux masses noires. Ce pont, A Strange Wedding l'imagine en plan-séquence cyberpunk aérien tandis qu'Odopt le sculpte en angles bruts. Osez pénétrer dans ce labyrinthe plus grand qu'il n'y paraît, il se pourrait que vous souhaitiez y rester davantage que ce que vous croyez.Featured on the second various out on Kump, Maahrt is back among us. This seventh record is a two-faced coin pierced by a single disturbance. When « Gault » pummels big beat remains against an industrial frame, « Clag » vibrates from breaks resonating of voices and echoes. One hits, the other flees, both extend in twin yet singular artifacts. The track « Noma » comes at last as an attempt to bind both sides in this narrow place in between two dark spaces. A Strange Wedding re-imagines this bridge as an aerial cyberpunk movie sequence whereas Odopt sharpens its angles. Dare to penetrate this labyrinth bigger than it seems, you might wish to stay there longer than you think.

Shot of T stays always curious and on the lookout — and thus found an unreleased album by Robotron. Italian born, Berlin based music producer and artist of Zurich based label Unruh and new label by DNP named Future Offline.Shot of T proudly announces Robotron first album release. Nothing more than first!His cinematic soundscape produced with his collected hardware music instruments in his small studio of Marzahn, Berlin.

Causal Chain founder laced is a DJ and producer from Montreal, Quebec, drawing influence from UK bass, IDM, techno and breakbeat. In 2018, she released her first EP “Define This Mood” under her moniker Lacedetail on Toronto label Summer Isle. She is part of Saudade, a musical project inspired by industrial dub, ambient and jazz with harpist Marilou Lyonnais Archambault. For the past 4 years, they have been hosting a monthly show on Montreal web radio n10.as. In 2020, she co-founded the label audio bambino with her partner and close friends while discovering an infinite realm of club sounds all over the Internet.oko is laced’s sophomore EP under her new moniker, which takes a new path compared to her previous noise explorations. Drawing inspiration from ambient music, dreampop, video game and anime soundtracks, breakbeat and IDM, the music conveys a dream world where the artist tends to escape in. The EP was produced over the course of 2021 since laced’s 2020 MUTEK performance in Montreal, taking a melodic approach in contrast to her more percussive productions. oko is best consumed under a pile of warm blankets or under the rain, its energy being one of catharsis, contemplation, healing and dreaming.

The sounds across these four tracks were made by SIM and NAP from 2021 to 2023 with lots of love and bass... the sessions started from the first time they met at NAP's studio, point always to kick it, jam and see what happens. After a couple months of that of course a sound develops, a process shines and a friendship grows. After a year or so trust built and a language made present. Transcending the spoken word and feeling unique to both...things start to really go off and the jams turn to songs. Two years pass and it’s time to celebrate with the marker and archive of all those deep sessions, now in edited form to be shared with all. And yeah, you can have all in common with someone when it comes to digging wubs, riddims and drum machines but add vulnerable earnest meetings with meals in between and good conversation about things other than music (or maybe how other things relate to it) and then you get something really special, something like SINNAZ. SIM and NAP journeying into collaboration with a debut EP of rhythmic noise, driving bog beats, swampy dembows, radioactive Dancehall and unhinged experimentalia.