Turning Man
Expedition Mondial EP

The Clearing is the debut album by the late Los Angeles-based musician Barry Craig aka A Produce. As co-founder of the underground cassette imprint Trance Port Tapes, Craig managed to assemble local artists who were working within the realms of DIY electronics and rhythmic, spacious sound. Incubated over a three year period, '88 release The Clearing draws on the roster of TPT associates such as Scott Fraser (Kronos Quartet), Daniel Voznick (Afterimage) and guitarist Scott Marc Becker resulting an 'an album of conceptual space', owing equally to the guitar-based new-wave releases of the imprint prior as to the later, and deeper ambient trance sound that would follow. Coming at this intersection of styles, there are moments of deep introspection and sulking, minimal drum machines followed by pieces of more outward expression only to be plunged back into tense, oppressive atmospheres. Yet despite these shifts in style, the sense of mood and cohesion throughout is ever-present, giving a true sense of inhabiting a unique space - or 'The Clearing'. Stockport-based store All Night Flight Records is proud to present this official reissue, with the blessing of Craig's estate and artwork replicated by the original artist - renown designer Bruce Licher of Independent Project Recordings.

A Colourful Storm launches a series of 12″ singles focusing on lesser spotted dancefloor gems: the first, two classics from the golden era of bleeps’n'bass techno with nods to Sheffield but apparently originating closer to Miami. Bassline monsters properly remastered by Mike Grinser at Manmade Mastering, Berlin. Watch those speakers!

GEORGIA's new kaleidoscopic hyper-music-entity "State Effect (Accel)" expands the NYC's duo project in a high-dimensional phase space—and does so within their all-kind-of-music frame.State Effect (Accel) is happening this very moment, it is a positive cry for change—a brilliant plan.This record is "viscous" — whatever I do, wherever I am, it sort of "sticks" to me.It is "nonlocal" — its 'accelerated' effects are globally distributed through a huge tract of time. It forces me to experience time in an unusual way.It is "phased" — I only experience pieces of it at any one time.It is "inter-objective" — it consists of all kinds of other/multiple entities but it is not reducible to the sum of its parts.This music reveals the present and its psychic dimension, no titles could have been more relevant.Justin Tripp and Brian Close's new kaleidoscopic hyper-music-entity expands their GEORGIA project in a high-dimensional phase space. A great work of cognitive music mapping that plots all the states of a system — Lovely bubbly HTML.The eight tracker long playing make extensive use of the vocal participation of Paris/Berlin-based artist/DJ MARYLOU aka OISEAU DANSEUR and Gabi Asfour of visionary NY fashion collective threeASFOUR.

Our exploration of Ballet Mechanique’s old DAT archives, stack full of unreleased material from the 90’s era, continues with our sixth release and materializes into the third volume of the “1992-1999 Collection” series. Like the previous two volumes of the series did, also this EP brings to lights the diverse and varied approach of Jeroen’s productions: an A side featuring more “ravey” and uplifting tunes, and a B side focused on funk fuelled electro and IDM.

Hot on the heels of last year’s new era e.p., Marco Repetto returns with the second installment in the planet love trilogy.Adamha e.p. consists of three tracks, conceived at axodya during the winter of ‘91-‘92, that reveal a more obscure side of the young producer’s mind.Miraculously, not one of these compositions has seen the light of day before; they were unearthed during a painstaking transfer of Repetto's extensive ‘88-‘04 DAT-archives.Thirty-one years after instrumentation, return_backspace proudly presents to the world the definitive sound of the future!