Theo Parrish Maurissa Rose
Free Myself / The Truth

We wanted Turbo’s 218th release to be special, so we’re proud to announce that we’ve harpooned and skinned one of our white whales, Gesloten Cirkel. Label boss Tiga pursued several leads, most of which went nowhere (the artist's real name is not, as it turns out, "Jesse Circle”), before cornering the elusive Cirkel in Berlin, where he promptly befriended the shit out of him.With killer releases on legendary Dutch electro/acid imprint Murdercapital, Gesloten Cirkel’s banger credentials are unimpeachable. For his Turbo debut, he flooded our modest Metaverse offices with over 60 demos. If you guessed that the tracks on Detoon represent all the very best of that material, you just might have what it takes to run a label of your own one day. But you’d also be wrong, because there’s a second Turbo EP on the horizon. Never forget: with Turbo, you’re always here to learn.

彼女は猫が好き She Likes Cats by ThrushezCharming beat tape from Nagoya-based Thrushez that sounds like a collapsing collage of memories channeled through an old boom box, a rainy hologram of audio flotsam, with each track a vignette frozen in time, small pieces of a story. Even when the mood is playfully destructive -- like a cat perhaps -- the tracks retain a meditative dream-like quality, where things are not quite as they seem.

NAQI Vol.1 by Mansur Brown

By welcoming the beauty of imperfection and simplicity, Sven Wunder applies the timeless wisdom of wabi sabi on this musical journey. What you can hear is filtered through Ukiyo-e (which translates as “pictures of the floating world”), which illustrates everyday life, as well as through Japonism, the study of Japanese art, and more specifically its influence on European works. The result is a surface that creates an illusion by sound. The infusion of Min’yō with jazz rock, this hazy scene evokes the landscape of Monet’s ”The Water Lily Pond”, which depicts the painter’s Giverny garden, with a Japanese bridge, bamboo, ginkgo trees and the reflection of the sky in the pond. This illusion constructs both time and space.The surface of the music, like the canvas of the painting, invents a journey between now and then by interpreting the idiom of folkloric and western art instruments. In this composition, the sound of the Western concert flute, which stretches back to the Renaissance and Baroque periods, evokes the sound of the bamboo-flute (”shakuchachi”), which reached its peak during the Edo period. The guzheng, also known as the Chinese zither, with a more than 2,500 year history, joins traditional Japanese folk melodies with modern pop percussion and 20th century electronic instruments such as the Moog synthesizer, Wurlitzer electric piano and electric bass.This is the illusion that celebrates the fleeting nature of all things. A journey. A deep inhale and a slow exhale. It has a mix of jazz (both funky and progressive), East Asian and South Asian sounds. The idea of fusing these styles and reframing them with the aesthetic of wabi sabi is to reconnect with nature and concentrate on asymmetries and emphasize ornamentation to generate new ways of looking at the world, here and now.

Tel-Aviv based duo, ‘Project Runaway’, return with a new release on LDN/LA based ‘All MyThoughts’.The 4 track e.p opens with title track ‘Charly’, a mesmerizing hypnotic percussive bomb, withvoodoo-like vocal mantras and trance flavours throughout.‘J&S’ is up next, a minimal sunset/sunrise house track full of raw layers of sensitive percussion and bouncing rhythm.The B side opens with ‘Export City’, a psychedelic percussive trip into the city that never sleeps.‘Tunnels’, brings us to a close with a mysterious flow of melodies alongside PR's signature percussion, equally suited to both festival stages and sweaty basements.