Driven By Attraction Tadan
That's It

Grim Headlights features the latest acid mayhem by Peel MD member and Nerike Primate labelhead A. Stantz. Utterly advanced bassline tools for the dark techno clubs. All tracks recorded deep in the rural area of Sweden.

Fallen Gods by Rapoon‘Fallen Gods’ is the third studio album by Rapoon aka Robin Storey, formerly of :zoviet*france:. Originally released in 1994, ‘Fallen Gods’ emerged amid a prolific early period for the Rapoon project, following in the wake of debut album ‘Dream Circle’ – originally released in 1992 – and second outing ‘Raising Earthly Spirits’, released a year later. Building on the haunting industrial ethers of ‘Dream Circle’ and the esoteric, rhythmic drone of ‘Raising Earthly Spirits’, ‘Fallen Gods’ consolidates many of the sounds and disciplines that had shaped Storey’s work up to this point, while indicating a newfound, concerted focus on classical Indian instrumentation. The results represent a synthesis of myriad ideas, rooted in the duality between modernity and mysticism.

Paris via Lyon based Planet Trip family GFH drop their first EP and the freaky 13th disc on the labels forever expanding catalogue. 5 diverse cuts dialling into deep downtempo chuggers and breezy tropical triiips, plus a peak time heater on the flip given the magic touch remix treatment by everyone's favourite Lipelis. Another heavy disc with moods and grooves for all hours of the dance.

REVOLUCION NFR005 by Nuestro Futuro Records

This release is a promise from Micron Audio to provide only carefully crafted and curated electronic music from progressive minded artists. Nothing friendly... Period. Galaxian: An intelligent, intricate composition of titanium android parts and artificial intelligence. LOKA: Sidewalk cracking, body moving waveforms, that strongly reflect the title of the track. Ctrls: Like listening to an audio book on neuroscience except you can dance to it and raise your IQ at the same time. 6SISS: This sonic blast gives you fair warning that you're going to travel about 20 years into the future.

Habitat by Leon Louder / Scattered EnsembleMontreal-based composer Leon Louder spent the 2020-21 lockdown period in remote collaboration with four fellow musicians, exploring tones from homemade and traditional instruments and percussion, using a mixture of live sampling and improvisation to create aleatoric tonal landscapes. Inspired by a stay on a remote island in the St-Lawrence River estuary, where the weather can shift dramatically from serene to turbulent at any moment and the dialogue of birds, insects, and seals is omnipresent, Habitat is a sequence of restless sound worlds, an impressionistic depiction of a constantly changing ecosystem that had its parallel in the emotional turmoil of pandemic time.Like the phenomena they approximate, the pieces exist in a continual state of composition and recomposition. Populated with melodic fragments that call and respond, break apart and ricochet, they ask the listener to live in the music as much as to listen to it, accepting discord as equal to harmony, chaos as part of the order.The individual tracks are strikingly varied, not only in their vocabularies of sound but in the moods they create and the hints of environment they evoke. They range from "Full of Light", in which mesmerizing bell and woodwind tones interweave in melodic counterpoint, building to a gently driving train-like rhythm that conjures some sort of Celestial Express -- to "Underpass", whose low dark sounds and simple repeated rhythms carry us down through subterranean strata bored out by primeval life forms, into what feels like a maze of subway tunnels on another planet.The recordings bring into play double bass, vibraphone, homemade zithers, piano, modular synthesizer, and found percussion, and feature collaborators from the Montreal experimental music community: radio artist Martin Rodriguez, multi disciplinary artist Gabrielle Godbout, drummer and electroacoustic composer Samuel Bobony, and multi instrumentalist Rodney Sothmann.