2lanes
Tincture / My Simulacra

Communique Records USA, reactivated the superb house-sublabel Sensuist Records. SEN006 by Chris Brann also known as part of famous Wamdue Kids. Recorded from original DAT and re-mastered.

Folding The Dishes by Absurde

A True piece of Hardcore History, Reminiscent of the early Rave era, a time when there were no rules. ‘Hardcore’, just before the fruition of what Jungle came to be. Experimentation in Rave music was at its utmost: chopping up 8 Bit beats & breaks re–inventing a fresh Drum Sound, Bassline’s that make your eye socket’s shake, idea’s that followed no rules. This is some of that missing History...Originally produced in 1992, this was scheduled to be Dlux’s first official solo release on ‘Brain’ records. With lots of hype about ‘The Darkness e.p.’ (Bizzy B & DJ Dlux) 1993, The Fontage E.P. release was delayed, & finally shelved, making way for Dlux’s updated sounds of ‘The Realtime E.P.’ which got released back in 1994 on Brain Progression.The Fontage E.P. is Dlux’s earliest material to be featured on the ‘Lost Dat’s’ series. The Dat’s have since corroded beyond repair, this was salvaged & lovingly restored & remastered, so this piece of History could get an outing on ‘Existence Is Resistance’.Don’t miss out on this authentic piece of music history from a true Underground legend!

Interplay by YlangYlangCatherine Debard has been active as YlangYlang since 2012, a creative staple in the Montreal music community. She’s worked frequently as a collaborator, but continues developing her unique interstitial solo recordings through a variety of labels and performance experiments. Inspired in part by the writing of Danish poet Inger Christensen, in Debard’s words Interplay explores “how we are shaped and shaping our experience at the same time” and “how free we can be within our own limitations.”Full of deceptive contradictions and some of Debard’s most mature orchestration, she describes it as the final instalment in a trilogy focused on relationships. After albums focused on the external world, this time she turns her attention more intensely on “the self.” It’s a fitting meditation, reflecting on how we adapt and survive as individuals in dark times. Interplay’s warming combination of synths, field recordings, and backing instrumentation weave together toward balance. Here the mixture of stern and soft, dark and light, is seamless.