Orquesta Akokán
Caracoles

After a few years in London, where he worked with Archie Shepp and recorded a sought-after album for the famed library music label De Wolfe, Argentinian pianist Luis Vecchio settled in the island of Gran Canaria following advice from a superior entity from outer space. Vecchio subsequently opened the first jazz school in the Canary Islands, effectively planting the seed of jazz in the archipelago.In Contactos, recorded in 1978 in the Mayra studio owned by Ramiro González, Vecchio gives a free jazz account of his contacts with Adionesis, who delivers his ominous message upon the human race on side B of the album. Fellow Argentinean Fernando Bermúdez on percussion and Japanese bass player Yoichi Yahiro complete the line-up of Contactos.

The Space Grapes are back. Galxtc delivers a slice of pure disco funk reminiscent of the UK Brit funk sound....3 versions on this loaded Maxi.

Tyler Daley is the acclaimed and highly renowned Manchester artist now surging into his autonomy with his debut solo EP 'Son of Zeus'.With humble beginnings in Manchester's scene, Daley's influence merges a nostalgic love for pirate radio with a mix of musical inspirations journeying through roots reggae, street soul and R&B whilst modernising his sound through his love for hip hop and UK rave music.With an impressive roster of collaborations including notable features like Ghetts, Goldie, Shy FX and Bugzy Malone to name a few, his unique artistry plays on his pioneering stature and longevity in the game. Leaning on this wisdom to create a fresh, uncompromising sound, Daley has combined his knowledge with his cutting-edge aptitude for music in his new EP.Paying homage to the multitude of success he's seen through his eclectic journey as one half of the universally loved Children of Zeus, Tyler Daley's new EP fuses his signature sound with a clear personalisation that offers a raw and transparent depiction of his artistry and musical prowess.

2023 first time reissue.Guy Pedersen's magical Maxi Music, originally released on cult Parisian library label tele Music in 1972, is psyche-rock and jazz-funk gold. It's a vital Pederson outing, oscillating between the rough and the smooth, but always with those hypnotic grooves. It's a start-to-finish winner, yet the final 13-minute-long opus will blow minds. Trust!