ML Booster
Say Goodbye To The Jobs EP

Voyage de TapiocaTapioca is a Belgian duo made of rapper / lyricist Alessandro “Le Tagarel” Vlerick and producer & composer Simon “SiKa” Carlier, who draw inspiration from rap, jazz, MPB and funk from the 70's and 80's. They symbolize a meeting of various musical currents which finds its origin in a common passion: the Brazilian culture and its wholly unique musical blend. While the sound of the Belgian binomial is undeniably influenced by classical Brazilian musicians such as Marcos Valle, Simonal and Emilio Santiago or contemporary artists such as Anderson Paak., Mndsgn or D'Angelo, Tapioca breaks through the sonic clutter by proposing its own musical identity with the release of “Voyage,” courtesy of Jakarta Records’ indelible “Dubplates” Series.

Make Each Other Happy-an intriguing and body-moving collection of tunes that equally recall the seductiveness of dark disco and the Neptunes' forward-thinking production style.Second EP from Tyler Pope - Member of LCD Soundsystem, former member of !!! And OutHud.

Proto-house classic 'Nightgruv' gets a re-release and includes a longer unreleased edit!James Mason is mostly known for his late 70's album 'Rhythm Of Life', which is a soul-jazz classic. Soon after music trends shifted to (electronic) disco and James' music became out of fashion, leaving 'Rhythm Of Life' to be the only album he released to date.The early early 80's saw him have a few studio sessions from which more electronic output like Wuf Ticket / The Key (Prelude Records) resulted. James also produced various disco acts like Disco 3, Earl Flint and Brenda Bayton.However, most of his early 80s studio sessions have remained unreleased until today. 'Nightgruv', which was recorded in 1984, did eventually get a release when it was picked up 12 years later (!) by a small UK indie label and was again reissued in 2000 by Soul Brother. Both pressings are still highly sought after and go for a lot of money on Discogs, mostly to do with the timeless nature of this prototype house wonder, which sounds like a recording Larry Heard never made. A magically seductive groove, recorded at a time when house was still in its infant years.Not only is this release offering a remastered version of the original, it also includes an unreleased edit which stretches the original to a cool 6 minutes. The B-side features the epic 11 minute original version of 'I Want Your Love', a soul classic.

A Ghanaian funk LP from the afrofunk master. one of Ebo Taylor's rarest and most sought-after! Ebo Taylor and The Pelikans is being reissued on vinyl by Comet Records, pressed on high quality vinyl, with label designs and artwork as per the original release.Originally released by Ghanian Abookyi label in 1976, Ebo Taylor and The Pelikans is one of Taylor’s most elusive releases, and marked the first time he sang on the seminal Ghana Funk anthem “Come Along”.The album saw the legendary musician, producer, composer and arranger joining forces with 12-piece Cape Coast Ghanian band ‘The Pelikans’ led by Bessa Simmona with rhythm guitarist Fifi Orleans Lindsay.Put simply, there has never been a musician and artist quite like Ebo Taylor. As an artist, arranger, musician and producer he’s a combination of James Brown, Nile Rodgers and Quincy Jones: He not only created some of the greatest funk songs ever recorded but as much if not more than that, his genius as an arranger gave the signature sound to high life and afrobeat that was made famous by his one-time London roommate (from when they were both music students, in The early 1960s) Fela. And his funky guitar brought a percussive sound to the rhythm section that didn't exist before.

Avid Habibi Funk listeners may be familiar with Libyan composer / producer Najib Alhoush, who’s “Ya Aen Daly” - Bee Gee’s “Stayin Alive” cover - was included in our 2nd compilation.Najib’s group, “The Free Music” produced an astonishing 10 albums, all impressively strong and equally infused by soul, funk, disco and reggae. Groovy synths, thumping bass and drums and Najib’s distinct flavor collide for something special. Self-financed, all their albums are fully dedicated to their unique musical blend, a distinctly infectious groove that unfortunately didn’t make an impact outside of Libya due to the complex political situation at the time.When we made the selection for this album, we could have chosen a completely different number of tracks and the album would be been equally strong. There is a reason why it says “Part 1” in the title.