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PNLP1 - CA - 2021Soft Subversions is the debut release by House of Intergenerational, the DJ platform for Toronto-based artist and clinical sonician Andrew Zealley. Published as a 2LP vinyl gatefold edition of 250 numbered copies with a two-sided poster/insert of visuals and notes, Soft Subversions is the sonic culmination of six years of research into risk, art, and sex in the era of AIDS industry: listening to risk and risky artistic and sexual practices as a method of aesthetic self-creation.

Massive comeback for TNT Records with some unreleased and revisited material from the label's head Todd Terry.

2021 repress on black vinyl, first released in only 50 copies in the legendary Bunker Mantra Box, but now for a short time available to the general public. Dark and manic house from the Acid Coloniae of Cologne, by Andreas Gehm (aka The Minister), whos profile has been raised recently with a ton of hyped releases and remixes for o.a. Snuff Traxx & Robert Ownes. First part of a two parter.

Japan’s Freedom School Records has been home to legendary artists like Kaidi Tatham, Rick Wilhite, IG Culture, Mark de Clive-Lowe, Eric Lau, etc. For the fourth in the DJ Series of 12s, Freedom School welcomes Detroit’s Julion De’Angelo. With previous releases on Meakusma, Tone Log & Sound Signature, Julion continues to cultivate his heavy sound rooted in the Black American experience. From funky bass lines, driving percussion & soaring strings, the depth of emotions can be heard throughout these pandemic perspectives.We start with Dedicated, where dual basslines and live congas make way for pads and piano stabs that keep dancers dedicated to movement. On VIS/ON he finds hypnotic space for meditation in a hip hop tone. As a tribute to the energy of the sun, Doors (Rē)Open (co-produced with newcomer Sabré J) lays the groundwork for joyful moments on dance floors everywhere, with samples from an Amiri Baraka piece layered to accent the energies found within the tones. Closing with Requiem, a low-slung piece with strings, flutes, and choppy percussion, he reflects and pays respects to lives lost in this past year. This is another output from De’Angelo that is at once immersive, introspective, explosive and expressive.