The Audio Technica AT3600L is probably the world's most popular cartridge. It is used by many manufacturers and comes pre-installed as their cartridge of choice with many turntables. It has been time tested and proven by decades of use for quality, durability, affordability and great sound.The Audio Technica AT3600L is perfect as a great sounding spare or replacement for worn, damaged or low quality pre-installed cartridges. It is also ideal if you can't find a replacement stylus for your record player. A worn or chipped stylus sounds bad, because it will not sit in the grove properly and can eventually damage your records. You don't have to risk the damage to your vinyl and waste time searching for a stylus for your current cartridge. Simply replace the whole cartridge for the same or less money!The Audio Technica AT3600L is a moving magnet cartridge with a standard half-inch mount (two holes with 1/2" spacing) that will replace virtually any cartridge in any turntable of any brand which uses a removable head-shell. If there are two screws holding your current magnetic cartridge in place, the Audio Technica AT3600L can replace it.It is very easy to install with four pins at the back that connect to four individual wires at the end of the tone arm. The cartridge is then secured to the tone arm's head-shell with two screws. The cartridge comes pre-installed with a high quality Audio Technica ATN3600L stylus with a bonded diamond tip that guarantees great sound. The stylus has a carbon fibre cantilever for more accurate sound reproduction and stronger damage control should the tone arm be dropped.The Audio Technica AT3600L is durable and long lasting for extended playing time and comes with a plastic cover that protects the stylus while not in use.

From Nagaoka:We will upgrade and renew the classic record cleaner "Argent", which has been in business for over half a century since its release.The velvet on the cleaning surface has been reviewed, and a new velvet, which has been woven in high density, which is ideal for the sound groove of the record, further enhances the cleaning effect and removes fine dust adhering to the record.The tray of the body storage case comes with a special brush that can keep the cleaning surface clean.The body, which has been pearl-processed and imagined the design at the time of its release, has a shape that inherits the tradition since its release.We produce in Japan and guarantee high quality.

Unbranded Ortofon OMB with Tonar elliptical stylus.

Stylus brush.

Tote bag for Tess Roby's SSURROUNDSS label to celebrate the release of her latest album 'Ideas of Space'.

Our new album MUNDOS is out now! 10 Tracks exploring the connection between Dub, Jungle, Downtempo, Footwork, and Latin Percussion + a 30 page book archiving some of our favorite graffiti writers in Miami.Our environment in Miami and the different creative subcultures that exist here have always inspired us both visually and sonically, so we’re really happy to have collaborated with these guys on a book and 3 tracks with ETONE on vocals.For now there are no concerts happening, so we felt that a book would be a good way to engage physically with our music from the comfort of your home. Something to touch and look at while you listen, plus you could cut out some pages and hang them up in your room.Only 100 copies. Includes a free digital download of the album upon purchase.Featured writers:ETONEDODOFARSTABNUSECAMRYUKTOFUWEERDOARTWORK BY DODO & INVT

Representing for the local juice crew.

Crosswind... a danger on the road but a welcome force when you need a change of mind. It's a new breeze! You can feel it in the air. Switch up the sound as needed, may this bag help you sway the right way :-)12.0 oz., 100% heavy cotton canvasBottom gusset23" web canvas handles10" handle drop

Wax Poetics presents the third issue since our 2021 relaunch with another heavyweight 148-page journal packed full of timeless music stories, record spreads, archival photography, and original artwork. Each issue now also comes individually stamped.Continuing with the trademark double cover, the front is graced with Patrice Rushen, an accomplished jazz keyboardist who found her singing voice and embraced her love of R&B, becoming a bona fide star with the release of 1982’s Straight from the Heart, an album that featured the smash hit “Forget Me Nots.” Our other cover story dives into the history of Detroit techno, from the primordial electronics of Juan Atkins and the sonic upheaval of “Mad” Mike Banks’s Underground Resistance to Waajeed (featured on the back cover), whose Underground Music Academy aims to help the next generation of Detroit artists.You’ll also find pieces on jazz organist Shirley Scott; the psychedelic soul group the Chambers Brothers; hip-hop icon Masta Ace; Jamaica’s musical incubator the Alpha Boys School; the Bill Evans Trio’s famous Village Vanguard recordings; trombonist Joseph Bowie’s trek from avant-garde jazz to NYC downtown funk; the history of Mo’ Wax Records; Brazilian singer-songwriter Joyce; London sax player Chelsea Carmichael; and nu-R&B multi-hyphenate KeiyaA.

This is the third issue of the new We Jazz Magazine, 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Stories include Joe Henderson by Daniel Spicer, International Anthem by Tina Edwards, Tokyo Jazz Joints by Philip Arneill, Ben Lamar Gay by Stewart Smith, Smooth Jazz by Francis Gooding, ESP-Disk by Matti Nives, Scottish Folk & Jazz by Gareth Allen, The Lisbon Scene by Rui Miguel Abreu, plus many more.

Featuring DJ Harvey, Sofie, Jun Takahashi, Ziggy Devriendt, DJ Sundae, Pedro Winter, Ariel Kalma, Octo Octa, Max Essa, Moxie, Pierre Rousseau, CC:DISCO!, and the visual feature, “White Columns Retrospective: 1977–1986.”252 pages, Perfect bound, Softcover

This is the third issue of the new We Jazz Magazine, "Tetragon" for Joe Henderson. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Stories include Joe Henderson by Daniel Spicer, International Anthem by Tina Edwards, Tokyo Jazz Joints by Philip Arneill, The Lisbon Scene by Rui Miguel Abreu, plus many more.

Magazine.

Record Culture Magazine Issue 9, 2021.Featuring Bradley Zero, Sébastien Tellier, Yu Su, Gerd Janson, June Jones, The Twilite Tone, Eug, Vanessa Worm, Ana Roxanne, Oskar Mann, and the Beats in Space visual feature, “Postcards Through Time and Space”212 pages, Perfect bound, SoftcoverIssue 9 supplement:The Second GenerationChicago House Flyers 1991-2000Curated by Honey Dijon68 pages, Saddle stitch, Softcover

Featuring Louise Chen, John Gómez, Apiento, Regularfantasy, Lauer, Beatrice Dillon, Public Possession, River Yarra, Sadar Bahar, Anthony Naples, and the visual feature, “A Decade of Power and L.I.E.S.”228 pages, Perfect bound, Softcover

The velvet reaches deep into the record grooves and removes even the finest dust particles. The brush itself can be easily cleaned using the two foam rubber scrapers located on both sides of the plastic brush base.

We Jazz launches a new magazine bringing together contributors from such sources as Pitchfork, WIRE, Downbeat, The Quietus, Jazzwise, Deutschlandfunk Kultur, etc. Altering its title according to each issue's lead story, the first 128-page edition of the publication is entitled "World Galaxy" in connection to the cover story about Alice Coltrane written by US author Ashley Kahn. Other writers for the first issue include Phil Freeman, Debra Richards, Stewart Smith, Daniel Spicer, Peter Margasak, Andreas Müller, Matti Nives, Christian Adofo, Samy Ben Redjeb, 4AD's US Label Manager Nabil Ayers, plus more.Topics in addition to the Alice Coltrane lead in include Sun Ra in Egypt, Scatter label profile, John Corbett, vinyl production in 2021, free jazz hero Alan Braufman, Finnish guitarist Raoul Björkenheim's jazz photos from 1976-77, a collection of European modern jazz posters, Oiro Pena, records / books / design, etc."We wanted to create a quality magazine with top content and a very organic feeling," says the magazine's co-editor and AD / graphic designer Matti Nives. "To us that means inviting some of our favourite writers to come up with ideas about topics they would like to cover, and linking up with great local illustrators and photographers. We hope that the end result would differ from other prints out there and provide fresh ideas in relation to the music we love."Going forward, the English-language We Jazz Magazine is planned to be published twice a year.

This is the second issue of the new We Jazz Magazine, 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Includes inspiring stories on music including John Coltrane by Ashley Kahn, Irreversible Entanglements by Daniel Spicer, Ben Lamar Gay by Stewart Smith, Linda Fredriksson by Arttu Tolonen, Marshall Allen by David Mittleman, French Caribbean Music by Markus Karlqvist, Pablo Held by HT Nuotio, record reviews, book reviews, plus more. This is a magazine put together by a quality cast of writers and illustrators/photographers with references such as The Wire, The Quietus, Pitchfork, Jazzwise, etc.

Say hello the Montréal way! Let 'em know you get down with the grooviest lil record shop in the province of Québec :-) May this shirt spark up great conversations and help you make a friend in strange places! 100% cotton.

Crosswind... a danger on the road but a welcome force when you need a change of mind. It's a new breeze! You can feel it in the air. Switch up the sound as needed, may this garment help you sway the right way :-)10 oz. 100% Cotton.

What is the Original Sound Flavour? It's that feeling you get when you hear the right song, it makes you feel your soul, so that you know it's there.May this shirt help you get a taste of the good stuff.100% cotton, printed in Montreal.

Classic shop drop.100% cotton long sleeve.

Classic shop drop.100% cotton long sleeve.

Classic shop drop.100% cotton. Made in Canada.

The Selektor Messenger Bag x 30 approximately holds 30 LP 12” records. Features protective padding on all sides. UV Protection & Water Resistant. Made with Cordura ® fabric featuring water resistant and UV protection treatment. Aesthetics & Function. Unique functionality, style & comfort for carrying your records. Long adjustable strap with shoulder pad. Extra durable acetate buckles.

The Selektor Crossbody Bag x 40 approximately holds 40 Single 7” records. Features protective padding on its front and back. UV Protection & Water Resistant. Made with Cordura ® fabric featuring water resistant and UV protection treatment. Aesthetics & Function. Unique functionality, style & comfort for carrying your records and everyday carry.

The Selektor Classic Bag x 30 approximately holds 30 LP 12” records. Features protective padding on all sides. UV Protection & Water Resistant. Made with Cordura ® fabric featuring water resistant and UV protection treatment. Aesthetics & Function. Unique functionality, style & comfort for carrying your records.

Classic shop drop.12.0 oz., 100% heavy cotton canvasBottom gusset23" web canvas handles10" handle drop

Patrick Cowley was one of the most revolutionary and influential figures in the canon of electronic dance music. Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study electronic music at the City College of San Francisco. By the late ‘70s, Patrick’s synthesizer techniques landed him a job composing and producing songs for disco diva Sylvester, including #1 hit “You Make Me Feel (Mighty Real)”. Cowley created his own brand of peak-time party music known as Hi-NRG, also dubbed “The San Francisco Sound.” By 1981 Patrick had released a string of his own dance 12″ singles, such as “Menergy” and “Megatron Man”. That year, he co-founded Megatone Records to release his debut album Megatron Man. Meanwhile, Patrick was hospitalized and diagnosed with an unknown illness, which would later be named AIDS. Recovering for a spell, in 1982 he composed two more #1 hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album Mind Warp. His life was cut short on November 12, 1982, when he passed away two weeks after his 32nd birthday from AIDS-related illness.Mechanical Fantasy Box is Cowley’s homoerotic journal, or as he called it, “graphic accounts of one man’s sex life.” The journal begins in 1974 and ends in 1980 on his 30th birthday. It chronicles his slow rise to fame from lighting technician at The City Disco to crafting a ground-breaking 16-minute remix of Donna Summer’s “I Feel Love” to performing with Sylvester at the SF Opera House. Vivid descriptions are told of cruising in ‘70s SoMA sex venues to primal highs in Buena Vista Park and composing pornophonics in his Castro apartment. The entries are introspective and show a very out-front, alive person going through the throes of gay liberation post-Stonewall.French-born artist and Berlin resident Gwenaël Rattke works in collage, silkscreen, photography and Xerox graphics. Rattke's collage works borrow from the visual codes of the 60s and 70s. Intricate, ornamental and excessive, they present "an imagined past fired with beauty and sexual freedom." For this book Rattke created 25 original illustrations inspired by selected entries, 3 street maps documenting locations mentioned herein and 4 collages of photos, ephemera and notes Patrick stuffed inside the journal. We’ve included Patrick’s doodles too, as well as introductory essays by Josh Cheon, Theresa McGinley and Jorge Socarrás. Proceeds from Mechanical Fantasy Box will be donated to the San Francisco AIDS Foundation, who have been committed to ending the pandemic and human suffering caused by HIV since 1982.

Already being hailed as a must-have for the collectors out there, Wax Poetics celebrates its 20th anniversary with their latest issue. Issue 2 features rap icons Gang Starr on the front cover, and disco funk trailblazers Labelle on the back cover. You’ll also find a gorgeous photo spread from music photographer Jean-Marie Perier, an in-depth look at Manchester’s experimental post-punk group A Certain Ratio, a retrospective of Miles Davis’s distinctive fashion style, the inside story of hip-hop cornerstone Tommy Boy from its president Monica Lynch, and much more. This marks a real return to the depth and variety that Wax Poetics is famous for.

Issue #02 of ENTHUSIASMS, Efficient Space’s annual publication, further maps the label’s extended universe of contributors and influences across 88 full-colour pages of offline content, featuring extensive conversations with like-minded duos CS + Kreme and Blazer Sound System, Melbourne minimal composer Ros Bandt, the master of paranoia-inducing electronics Richard H Kirk and Tel Aviv-based Isophonic musician Roland P. Young. Rarely seen pictorial spreads find Yolngu cultural warrior and Waak Waak Djungi songman Bobby Bununggurr sharing stories behind his traditional paintings and On-U Sound’s dream team of misfits viewed through the lens of label co-founder and in-house photographer Kishi Yamamoto, alongside the collaborative art of Joshua Petherick and Midnite/3AM Spares compiler Lewis Fidock. The publication’s fantasy mixtapes also continue with playlists from YL Hooi, Julien Dechery and David Pinhas, Time Is Away, Grace Ferguson and Ivan Liechti. Perfect bound and designed, as always, by Steele Bonus.

The iconic digger's journal Wax Poetics returns in a beautiful, heavyweight format. Each issue features 148-pages of deep music insight, unique stories, lush photo spreads, and inspiration for your record collecting. The first issue in the relaunch features Motown stars Marvin Gaye on the front cover, and Tammi Terrell on the back cover. You’ll also find articles on hip-hop ground zero Harlem World, Sergio Mendes, Herb Alpert, Cymande, Toots Hibbert, and much more within.

Le Dépanneur is an annual publication, founded and edited by Emma Leigh Macdonald.Its title—borrowed from the term for a Montréal corner store—should get at a miscellaneous but sincere content, and an unlimited curiosity for the creative processes and particularities that a city can make room for. Its latest issue is a culmination of four years, resulting in a time capsule of sorts and offering an unexpected archive of the lives of those who will shape what our next four will look like.

Wax Poetics is back for 2020 with Digable Planets c/o P.M. Dawn.Other contents include British synth-pop band the System; synthesizer futurist (and Dilla samplee) Raymond Scott; singer-songwriter Susaye Greene (Stevie Wonder, Supremes); jazz-funk icon James Mason; Brazil’s biggest band Novos Baianos; disco drummer/producer Cerrone; Rap-A-Lot Records and the Geto Boys; and hip-hop photographer Frank White.