Closed today

By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

Painless

Catno

dLCMLP

Formats

2x Vinyl LP Album Remastered

Country

US

Release date

Mar 11, 2019

The Connection Machine is Natasja Hagemeier and Jeroen Brandjes. The vinyl version of the album has been re-mastered and features nine tracks from the CD-only original release from 2004.

The label Down Low Music is a vital US resource for deeply personal electronic music that works both in bedrooms and DJ booths. It’s a label that put out celebrated albums and EPs by the likes of Convextion, E.R.P and Dan Curtin, so played a key role during its first lifetime. Ten years after their last release they return with a double vinyl version of the previously CD-only Painless album by The Connection Machine.

It is an album made up of material made in the nineties that never saw the light of day and is full of achingly deep moods, dreamy acid house, down tempo electronics, ambient, and Detroit techno, all of which make it a lost classic from the Dutch techno scene. This is a vital reissue that not only re-introduces this forgotten classic to a whole new audience, but also the Down Low Music label itself.

Media: Mi
Sleeve: M

$32*

Sold out

*Taxes included, shipping price excluded

dLCMLP - US - 2019

A1

Blue Genes Copyshop

A2

Chemistry Cosmos

B1

Connect Me

B2

Several Ufo's Picked Us Up

B3

Password Session

C1

The Primer's Mite

C2

Avatar Shopping

D1

Sticky Bits

D2

Gland Input

Other items you may like:

CAM017 - FR - 1982/2020RPInspired by Dadaism, ancient tribes and natural life they self-produced and released this album in 1982.The result is a blend of experimental synth-pop combined with some german spoken word and french madness.For sure "Semite" with its shamanic percussions will get your attention but other synth oddities includes "La Vie des Animaux" , "Auf Dem Lande" and "Kangourou" too.If you're more into french arty synth-pop "Dancing","Nuit de Chine" and "Der Spiegel" will definitely convinced you.Remastered and limited to 300 copies
In the early-to-mid 1970s, Belgian recording engineer and synthesist Daniel Lacksman née Lanckmans recorded and released a series of pop music records, using early analog synthesizers as a central sonic element. Under an admittedly confusing array of names, Lacksman (who later founded the group Telex) created music that was equal parts innovation and ear-candy accessibility. Those often happy-go-lucky records gained some popularity throughout Europe, but their lasting influence can be heard in the music of Portishead, Massive Attack, The Moog Cookbook, and Air, not to mention among the lengthy list of 21st century artists who have sampled these recordings. And a casual survey online quickly reveals that these records are among the most collectible of their kind, with original copies commanding hundreds of dollars. Among those albums, the one Lacksman recorded in 1973 under the pseudonym Electronic System featured the first full flowering of his synthesizer mastery. His hit recording 'Coconut' had enabled him to buy a modular synthesizer, which offered a vastly expanded sonic palette'if you had the patience to re-wire for each sound you wanted to achieve. Which was the perfect set-up for a studio engineer like Lacksman'the result is an album full of sonic surprises, with each track presenting multiple, unique synthesizer tones and attacks, even on such nakedly commercial moves as his cover of Ritchie Valens' 'La Bamba.' An analog synth tour de force! Our Real Gone Music reissue has been mastered for CD and LP from the original tapes by Lacksman himself, and feature liner notes by Bill Kopp that include exclusive quotes from Lacksman and photos from his private archive.
TAF KIF Records present their first release: Fools Gold Vol. I, a four track compilation with an eclectic selection of dancefloor-ready cuts for this summer.
Bliss Place by Brin & Josiah Steinbrick
A suite of raga-inspired compositions and improvisations that grew from a fertile collaboration between Christina Vantzou, Michael Harrison and John Also Bennett centered around a devotion to just intonation tuning, deep listening, and resonant spaces.