SlothBoogie
SBEDITZ007

SBEDITZ007
SBEDITZ007SBEDITZ007

Catno

SBEDITZ007

Formats

1x Vinyl 12"

Country

UK

Release date

Media: Mi
Sleeve: M

$19.55*

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A1

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A2

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B1

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After spending some time on the Adriatic coast of Croatia, Fred wrote his 2018 album Long Way Home. Barbarella was one of the songs on the album. It was inspired by a morning set he did at Barbarellas, the infamous outdoor venue in Tisno. The kitsch disco vibes are also a wink to the cult B-movie of the same name. But it was the 7am in Tisno mix, featured on the alternate version of the album No Way Home that made the song popular.While there was no plan to release it as a single, Fred had the idea to contact I:Cube, one of his all-time favourite producers, to see If he would be interested in remixing it. The process took a little while but thanks to confinement, with more available time in the studio, the I:Cube Parisian Sleeze Version was born. Taking only a few elements from the original, he completely rearranged the track into a modern disco classic as only the Cube can do. This is one of those cuts that gets better every time you hear it.On the B-side, Fred’s Slow Down 2021 Version expands on the Balearic vibe at a slower tempo. Sounding a little bit like Sade on acid, with added samples from the 1968 Jane Fonda movie.
Wheez-ie's uncompromising rave anthems get a wild ride of remixes from Tim Reaper, VTSS, DJ Stingray 313, Aura T-09 & CardopusherAn of-the-moment remix EP full of bold, dark, and relentless warehouse thrillers.On January 14, L.A.-based producer Matt "Wheez-ie" Mauldin follows up October 2021's Horizons release on Evar Records with an of-the-moment remix EP that's cathartic, riveting, uncompromising and altogether powerful. Wheez-ie gathers together an all-star cast of dancefloor iconoclasts who reinterpret his singular '90s-referential rave visions to thrilling affect – this is all killer, no filler warehouse music for those who are brave enough to take the ride.
In a true celebration of Italian electronic music from across the generations, Bosconi is honoured to present unreleased works from the legendary Alexander Robotnick. A true titan of Florentine music who helped define the Italo disco scene with a glittering run of evergreen club classics, Robotnick is still as creative now in his 70s as he was when first firing off his trademark arpeggios in the early 1980s.Adding to the sense of occasion celebrating the foundations of the Italian scene, we're equally thrilled to welcome Marco Passarani to remix Robotnick's 'The Hidden Game'. His appropriately titled 'Legacy' mix operates as an alternate version in the traditional style, holding true to the essence of the original while offering a slightly altered perspective. It's a distinct mix with Passarani's own distinctive Italo flair plain to hear - if anything his version sounds more retro than the original - but it's still very much invested in what Robotnick created to begin with. Given the influence both these artists have had on the musical culture our own label is built on, this release holds a special place in our hearts, and we're excited to be sharing it with the world, where the throbbing basslines and sparkling pads can work their magic under the disco ball in a thousand dimly lit dance spots.
We are delighted to present a raw, young talent from Copenhagen - the city of fairy tales. Indeed, Parks at Night, the debut album from 17 years old Teis Ortved, could very easily provide the soundtrack for a recently unearthed Hans Christian Anderson story. In fourteen moves, the devoted multi-instrumentalist tells us the tale of his relatively short journey so far with confidence that belies his age. There's no ego or showboating here as this modest musician brings together seemingly disparate technologies with apparent ease, marrying sequenced beats and plaintive pianos overlaid by ethereal vocals that take his very special music somewhere other-worldly.To fully appreciate Teis' universe we need to dip a toe into his upbringing, his wonder years and the family unit that has had so much influence on his fascinating musical output. Both his father and mother are musicians - the former having previously been a drummer in a danish band, and almost from birth, Teis would sleep backstage at his parents shows. Teis has been immersed in music his whole life - even his sister is a renowned violinist. There was no escape from the arts in the Ortved household, nor was there been any desire to do so, which probably explains the sense of calmness in Teis' productions. His music feels like a pleasure; a natural outlet; one that's never been stifled and always been encouraged.
Joel Holmes is a phenomenon that fits perfectly into the musical scenario of the next years. 35-year-old american jazz pianist and 4 times Grammy nominated. He was the musical director of Carl Craig’s Synthesizer ensemble as well as the keyboarder in legendary Grammy wining band of Roy Hargrove (the IT jazz artist from the late 1990ies, who later died.) Holmes is always hunting for the new, so he moved to Berlin a few years ago. Being interested in what’s happening in that new dance world.
Sometimes it only takes a short getaway to the beach at the beginning of a new romance to open your heart to the wonders of the universe. On this record CV Vision taps into the ebb and flow of the sea, the cycle of coastal processes, and repositions the library sounds he’s mastered so well somewhere on the other side of the bay.White noise washes like gentle waves up against analog synths and acoustic guitars, while the full spectrum of holiday possibilities are reflected: Surf’s Up (Let’s Trip) captures that roadtrip excitement, albeit with some psychedelic twist. But it’s not all sunshine - CV Vision makes sure to show the grey clouds too, with the sweet melancholy of Rainy Days.Somewhere between dune rides and underwater dives, camp fires and sunsets, CV Vision captures a weekend at the beach in song. After a short moment of reflection (and some hallucinatory assistance), he wrote the lyrics and pieced the record together in the following weeks, to create what you see and hear now.Instrumental interludes brush up against ballads and field recordings, to paint a wonderfully rich audio postcard from deep within CV Vision’s heart.

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