Mykki Blanco
Broken Hearts & Beauty Sleep

At the turn of the 90s, Philippe Cohen Solal, then musical director for Virgin, becomes one of the first music supervisor in France and works on film scores by Arnaud Desplechin, Nikita Mikhalkov, Lars von Trier, Bertrand Tavernier or Kieslowski, then later composes for Tonie Marshall, Christian Vincent and Didier Le Pêcheur. He meets the very young composer and arranger Christophe Chassol with whom he will sign early 2000 soundtracks, during these sessions they create together the soundtrack of an imaginary film where music would be our spiritual food.The majority of themes are composed by Philippe with his musical partner at the time Christoph H. Mueller before they formed the Gotan Project. Unveiled here for the first time, this album pays tribute to the art of soundtracks, inspired by the world of sophisticated arrangements by Michel Legrand, Henry Mancini, Lalo Schifrin and so many others. Add a touch of folk jazz with the singers Nivo and Gabriela Arnon and the voice of the brilliant Welshman, leader of Scritti Politti, Green Gartside.

OP 02 HARI SIMA - "Solo en Occidente" LP by Objetos Perdidos

On March 5th, Ongehoord is releasing the concluding album of the Deadline Paranoia trilogy; Deadline Paranoia 3/3. The final set of rereleased psychedelic sounds that complete the oeuvre of the 1980s Amsterdam based band. Jeroen Vermandere, the person behind Ongehoord, discovered the band during his thorough search of Dutch cassettes and 1980s cassette culture and presents us this carefully selected triptych, taking the listener on quite a trip. 3/3 starts with a guttural exhalation, a celestial moan, setting the tone of the rest of the album - from there on the hot stickiness of dub oozes into the listener's ears, followed by ancestral percussion, rolling guitar riffs, and the nomadic sounds of the melodica. DeadlineParanoia 3/3 is light-hearted and suffocating all at once; the meditative rhythms cradle you back and forth while an array of peculiar sounds passes by, alluding to the band's delusional name.The record comes with an inlay presenting the original artwork that Deadline Paranoia used for their cassettes, capturing a dichotomy that is recognizable in their music; a sensitivity towards the spiritual placed alongside anarchic violence. You will be taken on a surreal journey, timeless sounding beats are accompanied by wailing instruments, the atmosphere is thick and heavy with smoke.

Native Mexican Leo Leal debuting an 8 LP tracker on Binh’s imprint Time Passages! Exploring a dark fractal sound!

INIT is Benedikt Frey & Nadia D`Alo. We are delighted to present their long delayed vinyl and digital album, NRGY.Born out of various art performances and installations, INIT states a logical outcome of Berlin based duo Nadia D`Alo and Benedikt Frey. With heavy use of analogue synthesis and drum-machines, INIT rethinks its genre's sonic approach, unfolding a unique and organic, yet alienating sound, somewhere in the mysterious midst of Acid, Techno, Ambient and Kraut-Rock.This is INIT's third album, following two releases on Hivern Discs, and performances at clubs such as Berghain, Robert Johnson and Pudel Club.INIT say -Module, NRGY, and Time were reverse extracted out of our live set and re-recorded and re-arranged after we realised how well they work in clubs. It is the first time we worked this way as we tend not to play our compositions live, like we produced them. Mostly we just extract loops out of our production to mess around with in a loose live project.Snowglobe, Holes In My CV and N.O.D. were more built up from a studio jam plus a bulletproof-ish arrangement afterwards.Tried and tested on dance floors this is a surefire hit album on the dancefloor, and at home. NRGY!