Esperanto
Vegas

Broken Hearts & Beauty Sleep by Mykki Blanco

& Co by Lee Paradise

MARIONETTE15 - UK - 2021Rainbow de Nuit by David Fenech & KlimpereiMaestro melodist Christophe Petchanatz (aka Klimperei) and all around music fanatic David Fenech engage remotely in a repetitive exchange of recordings and overdubs on their debut album titled ‘Rainbow de Nuit’, sporadically spanning over the last decade. Evocations of experimental and improvised jazz, chansonesque songs, bluesy folk, and outsider music undulate harmoniously across the record. From music boxes and walkie-talkies down to plastic straws, plucking various stringed instruments such as the charrango and banjo, kazoos and snake-charmer ocarina and flutes, all the way through the sweet accordion and melodica, found and traditional tuned percussion - there is far from a shortage of sound sources on this freakishly inviting record. What germinates as an imaginative and emotional chord progression played by Klimperei, evolves with Fenech layering additional recordings, which would then find their way back home to Klimperei yet again, and so on, and so forth. This recursive compositional and improvisational loop, combined with Fenech’s musique-concrete-like mixing and editing techniques, transforms the acoustic recordings by way of compression, saturation, and reverberation or simple pitch changes - resulting in the duo’s recordings seemingly sound like they may very well be an octet in real time. While the majority of the recordings have been ping-ponged remotely, David and Christophe unite under one roof to record the closing track of the album.The pieces presented on ‘Rainbow de Nuit’ treat the ears to a carousel ride waltzing through a multiverse made up of surrealist puppet theaters, dramatic film noir act changes, and a mosaic of polyphonic instruments and toys alike. In other words, a score to a fable brought to life with haunting yet charming melodies and occasional hallucinatory voices reminiscent of laughter and infantile epiphanies which we hear on Tarzan en Tasmanie and Madrigal for Lola. This is taken a step further by Fenech, to a brief libretto of incomprehensible tongues on Pocarina. Amid the mysterious and dark (Septième Ciel and Rugit Le Coeur) also lies tender and simple compositions (Rainbow de Nuit and Chevalier Gambette), murky suspenseful melancholy (Levy Attend and Eno Ennio), and casually slipping into pensive psychedelic backdrops (Un Cercueil à Deux Places) - forming a colorful blend of sounds. A world of echoes. A tale of tales. One persistent earworm that you’ll likely be whistling and humming along to on a first listen.

You Loved Me by Patty Waters

RESILIENT VESSELS LIVE AT THE CELL by James Brandon Lewis, Patrick Holmes, Ches Smith & Josh WernerNew York city based bassist and visual artist Josh Werner was awarded an artist in residence from The Cell Gallery located in New York NY. As a part of this residency which occurred in the month of July 2020, Josh presented various works in different mediums from visual art to music. In lue of the 2020 pandemic Josh was unable to present music to a live audience and instead offered a pre-recorded live performance to be aired at a later date. Werner was able to put together an ensemble of some of the leading improvisors on the New York City scene in that of James Brandon Lewis, Ches Smith and Patrick Holmes. One of the leading jazz pioneers Ornette Coleman once expressed himself by saying " you know more, but i feel more ". During these turbulent times this statement resonates with this ensemble; it's one that embodies the acknowledgement of feelings within your being to then pour into the music being presented. This ensemble draws from proceeding generations of musicians such as Don Cherry, Roy Ayers, John Coltrane, Cecil Taylor, Albert Ayler, Tribe Called Quest and the energy of the downtown art rock movement.Personnel:JAMES BRANDON LEWIS saxophonePATRICK HOLMES clarinetCHES SMITH drumsJOSH WERNER bassProduced by Josh Werner and James Brandon LewisRecorded and engineered by Ricardo Romaneiro at The Cell TheaterMixed by Daniel Schlett at Strange WeatherMastered by Louis Henry Sarmiento II, Sonic Vista Studios, Ibiza, SpainLacquer Cut by Jukka Sarapää, Timmion CuttingDesign by Ilja TulitReleased and distributed by RR GEMS Records © 2021 RRGEMS10

1988: Six years after entering the music scene, and just a few months after the release of the teen, 80s earworm, “Bonne bonne humeur ce matin” by Tristan, the producer and arranger, Michel Bassignani, recorded “Tu me tues” in Belgium. Dissatisfied with the result, Michel went back to the drawing board at Waldbery Studios in Paris recording all instrumentals (except sax). After hearing his new work, Dominique, a high school pal, proposed to sing for Bassignani. Dominique's stage name became Maureen, and in addition to the single and extended versions, the duo recorded a “Dance mix”. We asked Jkriv to express its talent to produce a new version of this classic music track. Pardonnez-nous, but check it out!