Neil Landstrumm
Yell Yell

Tempo Records' 2nd release and debut long player 'Ability II Corrupt' by Mancunian 'Owen Brothers' aka Response & Pliskin. Mesmerizing long tracks that explore the boundaries of drum and bass, breakbeat jungle tekno. Images of a far dystopian new world order are found. On Repetitive Future the pioneering & legendary producer Digital co-ops with Response in true functional form the realms of the drum and bass spectre which results in moody ambient deep pads, boldly constructed heavy beat structures, and blissfully melodic liquid breaks to full effect. The Mancunian duo explores the ability to corrupt. All tracks mastered by the legendary Stuart Hawkes at Metropolis Mastering. This beautiful crafted CRYSTAL CLEAR LIMITED EDITION 3x12"vinyl (NO CRYSTAL CLEAR REPRESS) comes in a new designed Tempo Records high quality outer sleeve + a white innersleeve and completely sealed.

Nigel Rolfe’s “Island Stories” is a unique record for 80’s Ireland. An unusually experimental electronic and abstract record for the time, it was originally released to little fanfare on Reekus records in 1986. Based around the DX7 synth and key collaborations with studio engineers and vocalists it was created as a soundtrack to a performance work of the same name.Born and raised in the Isle of Wight performance artist Nigel Rolfe has made Ireland his home since he arrived at Dublin Port in 1974. An art school graduate who witnessed the British rock explosion of the late 60s in person and as participant, he had been an organ player in a number of British rock bands of the time and a roadie for a number of the early 60’s UK tours by legendary US blues musicians. As the music world freaked out in the later part of the decade he moved with it, and after completing a fine art degree in the West Coast of England in the early 70s he moved to Ireland despite having no connections with the country – “ Drawn by the archeology” – settling straight into the experimental arts scene which was based around the Project Arts Centre where he worked. Organising exhibitions and teaching, his interest in music was rekindled by the explosion of punk.The key to his music making and this LP here was access to a studio – in this case Windmill Lane. A busy place in the early to mid 80s it had a production and video arm and acted as the centre for U2’s recording operations. Rolfe worked there doing carpentry and building jobs in exchange for off peak studio recording time. Coming in contact with the bands passing through and working closely with the engineers and tape operatives employed by the studio he was also able to take advantage of Brian Eno’s presence (he was there working with U2) and figure out the DX7 which forms the backbone of the LP and which – like most else - on the LP is played by Rolfe. Released by Reekus records in 1986 a year after it was completed, there was little expectation placed on the record and Rolfe had no careerist ambitions. We’ve remastered it and added a bonus track that was featured on the African Flower 12” off the LP “PW Botha’s Funeral March”.

When crossroads become nebulous, what can serve as a point of reference?Following suit to ‘Volume I’ released in 2021, Secret Witness returns with ‘Have You Ever’, the first single from the next full length offering on Bienvenue Recordings. To reconvene the right way, the Montreal ensemble offers two iterations of the song. Both aimed at connecting with the varied taste of House music enthusiasts and worked to leave a lasting impression.Originally written in the summer of 2022, the ‘Main Mix’ weaves Laroie’s resounding vocals into a poignant tapestry of mid-tempo beat. The songstress flows with Pascal Deaudelin’s rhythmic finesse, oscillating between breakbeat and a solid groove. Yet another Gabriel Rei & Gene Tellem production that underscores the group’s partiality to the balearic experience.To best complement the original version, we dive deeper to the hypnotic, dance floor savvy ‘Club Mix’. Turning up the tempo, placing the core elements in a fresh atmosphere, in hopes of sparking a moment of movement and reflection.

A Colourful Storm launches a series of 12″ singles focusing on lesser spotted dancefloor gems: the first, two classics from the golden era of bleeps’n'bass techno with nods to Sheffield but apparently originating closer to Miami. Bassline monsters properly remastered by Mike Grinser at Manmade Mastering, Berlin. Watch those speakers!

Re-issue of this sought after Kumulus rarity originally released as a one-off on Electric Soul in 1992. Belgium pioneer Jan Van den Berghe is responsible for some all-time classics such as Wet's That's The Game, Liaison D's He chilled Out and Mappa Mundi's Sexafari, to name just a few. Under the Kumulus guide, he produced an unforgettable and mesmerizing take on Detroit-ish techno. Inspired by all the great tracks that he licensed for the excellent Buzz label releases and compilations during the early 90's. Timeless!

Lamin Fofana And The Doudou Ndiaye Rose Family de Lamin Fofana