Gledd The Funk District
Deep In The Church EP

Sangre Voss’ ability to intoxicate percussion, brew tight forward thinking rhythms and offer all tempo’s of a club night proceedings make his ‘Konon EP’ his most fluid to date.Connecting the dots between the raw and the profoundly modern - this record unifies the elements of progressive dance music in a way only someone with his production ability could reach. Spun out chug, high tempo whirlwinds and powerful leading melodies make this one a catch - CHECK.

What does a contemporary album mean to us? Marc Pinol and Hugo Capablanca asked themselves this question when faced with the challenge of recording their first C.P.I. LP. To find the answer they went back to some of the most important records in their lives and listened to them from start to finish. At a time when the whole concept of an album might be at its lowest ebb for decades, they wanted to return to the old way of telling stories, recreating the notion of a narrative "journey" but doing so in their own original manner. 'Alianza' displays a wide range of emotions through only a few elements. There are no structures, barely any drums. It's a puzzling journey that moves through darkness and light, happiness and despair, hope and menace, as it unveils its own mysterious universe. Every track is a world in its own, yet all of them are linked by an invisible energy that reflects a coherent constellation. To achieve this, Hugo and Marc used a broad array of vocal timbres, including their own drone-treated voices, digitized vocals from an old vector synth, and those of several contributors. Most of the sounds on the album come from digital devices, as they wanted to "prove themselves" in the studio "by doing something as warm as we could while trying to avoid analogue if possible? The major part of 'Alianza' was recorded during the spring of 2018 in Barcelona, with further takes and additions recorded in Berlin, New York, Los Angeles and Switzerland. It features contributions from Spacemen 3's Will Carruthers, Tanja Siren, Veronica Vasicka, Anna Homler, Demetrio Martini and Pablo Sanchez. The album was mastered by Gordon Pohl in Dusseldorf. The artwork is by Dominic Brucia and features a picture by Tanja Siren. The album was created with the support of The Richard Thomas Foundation.

At the turn of the 90s, Philippe Cohen Solal, then musical director for Virgin, becomes one of the first music supervisor in France and works on film scores by Arnaud Desplechin, Nikita Mikhalkov, Lars von Trier, Bertrand Tavernier or Kieslowski, then later composes for Tonie Marshall, Christian Vincent and Didier Le Pêcheur. He meets the very young composer and arranger Christophe Chassol with whom he will sign early 2000 soundtracks, during these sessions they create together the soundtrack of an imaginary film where music would be our spiritual food.The majority of themes are composed by Philippe with his musical partner at the time Christoph H. Mueller before they formed the Gotan Project. Unveiled here for the first time, this album pays tribute to the art of soundtracks, inspired by the world of sophisticated arrangements by Michel Legrand, Henry Mancini, Lalo Schifrin and so many others. Add a touch of folk jazz with the singers Nivo and Gabriela Arnon and the voice of the brilliant Welshman, leader of Scritti Politti, Green Gartside.

DE004 - US - 2016Zwischenfall formed in Belgium with Michael Sass (synths), Martin Urban (bass/vocals) and Stephan Kraemer (guitar/drums) in 1982. They were united by musical sensibilities that combined electronic and traditional instruments developing the basis for their 1982 demo recordings. By chance Patrick Codenys of the Belgian electro pioneers Front 242< heard two songs and decided to record a 4-song EP for the electro band's newly formed label Mask. The “Heute” EP was released in 1983 after a week of recording in Front's private studio under the direction of sound-whiz Daniel B. Bearing in mind MIDI had not been invented at the time, the recording involved some extensive sound sculpting including the use of individual synths (PPG Wave, Syrinx, Roland System 100, etc.) for separate drum sounds. To create an organic feel to the combination of acoustic and electric guitar, a trumpet and a bass were incorporated into the electronic arrangements. Sonically way ahead of their time, Zwischenfall have a distinct sound with hard rhythms and melancholic melodies that blend minimal yet catchy electronics to create a very danceable production. All songs have been remastered by George Horn at Fantasy Studios. The EP features two bonus tracks from the “Heute” sessions never before released on vinyl: the uptempo "Tausend Jahre" and "Katastrophe" the demo version of “Flucht”. Each copy includes an 6-page press kit booklet with lyrics and photos and is housed in an exact replica of the original jacket.

Happy Floating is the debut LP of Italian composer, producer and reed player Damian Dalla Torre. Over the course of two years, the Leipzig-based artist recorded 19 musicians in all kinds of places to bring to life his unique blend of Avant Folk and Electronic. With reeds, brass, guitars, bass, drums, mallets, synthesizers, organ and electronics, the album feels like a mindful walk through a flowering meadow, tickling and caressing all at once.

Cloud Holding is NYC-based Bryce Hackford's fifth album, and first for Futura Resistenza. Seven sound sculptures are coaxed out of recorded improvisations by a group of musicians--Ka Baird, Shelley Burgon, Alice Cohen, Michael Hurder, Dominika Mazurova, Camilla Padgitt-Coles--and worked into formless figures that express an always drifting present. Guided by the Suzuki Nobara--a kind of electric koto with many traditional instrument sounds and unique pitch adjustment controls--and the lyric-less utterances of the human voice, Cloud Holding traces delicate outlines in a collaborative sound world that shines with mysterious, searching affinity.