Charles Amoah
Sweet Vibration

Célia Regina Cruz recorded four self-titled albums for Continental between 1971 and 1977, ‘Amor’ in 1982 plus several more before she sadly passed away late in 2017. Célia was a Brazilian vocalist who worked frequently with master arranger-composer Arthur Verocai in her early years and many other heavyweights over the course of her extensive career.This, her second self-titled LP from 1972, features an all-star line up including Arthur Verocai, Erasmo Carlos, Roberto Carlos, Marcos Valle, Antonio Carlos Jobim, Nonato Buzar and Vinicius de Moraes amongst others.Célia’s version of ‘Na Boca do Sol’ – taken from this album – is arguably her most well-known and well-loved song. An incredible take on Verocai’s original, featuring waling fuzz guitars, strings, piano, horns and drums.Needless to say clean, original versions of this record now change hands for silly money! We are very proud to be able to reissue it officially, at long last.

New Parisian label, Disques Messager, presents its first release and not the least. As its name suggests, the label has a simple leitmotiv: to place itself among the best messengers for rarities and sought-after gems of the international rare groove. A mission which begins rather well, with the official reissue of these two stirring titles by Brazilian singer and composer Cristina Camargo.Native of Rio De Janeiro, Cristina Camargo had quite a short career, releasing only 2 albums in 1980 and 1981, but still enough to collaborate with some of the best composers, musicians and producers at that time. Her first self-titled album was therefore produced by Robson Jorge & Lincoln Oliveti and recorded with some of the finest musicians.“Moral Tem Hora” comes from this same LP and is a perfect example of the unique alchemy that emerged when the Disco and Boogie invaded the Brazilian music scene. A quite hard to find Boogie killer, composed by famous brothers, Marcos and Paulo Sérgio Valle.On B side comes “Minas Do Rei Salomão”, a more chilled-out title extracted from Cristina’s 2nd album, Santa Maravilha. With its funky slapped bass, airy keyboards and the sweet vocals of Cristina, the song seems made to sip a nice cocktail at Ipanema.

Piña Edits 007 by Piña Edits

Harmless Joking Edits by Molio HoliTwo songs from Molio Holi’s back catalogue get the Secret Disco treatment in all their extended dance glory."Harmless" sounds like the Happy Mondays doing a post-late-late night, early morning recording session in Ikebukuro. Taken from Molio Holi’s excellent full-length cassette "Yopo," released in April 2021 on Everyday Ago, the track is all shakers, finger snaps, lazy tight bass, bongos, sixties-tinged psychedelic drones, blasted keys, and catchy call and response vocals with the most too-cool-for-school delivery this side of the Yamanote line. Secret Disco reworks the number to the 9'57" mark. With no additional production, the loping, 111 bpm ditty is extended for all its blissful worth."Joking" pictures New Order smoking cigarettes with The Cure in a rainy Kabukicho alley at 4 a.m., all eyes on the puddles gathering at their feet. Released in December 2021 on Molio Holi’s own Soleil lunatique imprint as part of the brilliant "White Sunlight" EP, the song combines sparse drum machines, synth bass, melancholy chiming keys, and searing, razor blade guitars. The beautiful vocals are a detached kind of sorrowful, an aloof despondency. Secret Disco splices up the original, rearranging it to more than twice its original length to maximize the pensive 120 bpm dance floor experience.

Pellegrino & Zodyaco, with their new single 'Malìa', continue the aesthetic and sonic journey of the project led by the Neapolitan producer, with a mixture of Neapolitan disco-funk and fusion steeped in Latin flavour that already explored the innermost corners of the soul with 'Quimere'. This new work captures the frenzy and vibrant character of Naples, with its rarefied atmospheres and infectious groove that evoke the beating heart of the city and take us on a journey through the wonder of life in search of the Mediterranean essence.The 'Malìa' is enchanting, it’s that mysterious force that hides deep inside, transforming itself into a vortex of emotions through the fusion of involving rhythms and reflections on inner battles, on the importance of finding the 'light' to overcome conflicts and difficulties that hinder the ability to choose, a dreamlike mirage that opens a window on human vulnerability, a hymn to authenticity, to self-acceptance.The celebration of dance in the Caribbean Escapade version is also an exhortation to escape from everyday life; it takes us into a sonic imagery that plays with the Neapolitan musical tradition and the freshness of Caribbean and Latin sounds. This summer single becomes an ode to the vital energy of dance music: there is no more time for hesitation, one must let oneself be carried away by the enthralling embrace of 'Malìa', like a call to awareness and the search for authenticity in life. Malìa becomes the guiding thread, the mystery that urges us to go beyond the confines of everyday life, to explore and celebrate the complexity of existence.

Best off from the now classic Ethiopiques series. Francis Falcetto, the founder of the series (already 28 Cds available) and THE specialist of Ethiopian music selects, in his view, the best tracks of the series !He opened his large collection of pictures, vinyl and memorabilia to make the artwork for this double LP gatefold release.The perfect introduction to the world of Ethiopian music but the specialists will also discover some rare and unknown tracks and artists.