Open today: 12:00 - 19:00

By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

Noboot
Midnight Process

Midnight Process

Artists

Noboot

Catno

USR029

Formats

1x Vinyl 12" 33 ⅓ RPM EP

Country

Europe

Release date

Jan 1, 2024

Midnight Process by Noboot on Undersound Recordings.

Directly from Saudi Arabia, Noboot delivers a 4 tracker ep as his first solo 12” ever released.

The Ep opens with “404,” a nocturnal ambiance takes center stage. The synthesizer tones weave a captivating tapestry, initiating a profoundly gratifying journey through pulsating acid 4/4 rhythms. Following “Weather Systems,” cosmic dreaminess evokes pure contentment, with a neon-hued, blissful ambient backdrop.
The B side takes an even more melancholic direction with “Glumnite” that brings a dark midnight vibe, blending tempos into a mix of blue acid Electro and techno. In “Sing & Cry,” the music unfolds organically, sidestepping predictable crescendos to create a melancholic atmosphere. The result is a truly poignant track that evokes genuine sadness and emotional resonance.

Media: Mi
Sleeve: M

$21.31*

*Taxes excluded, shipping price excluded

USR029 - EU - 2024

A1

404

6:42

A2

Weather Systems

6:45

B1

Glumnite

5:59

B2

Sing and Cry

4:30

Other items you may like:

Linkwood returns to AOTN in 2022 with Stereo, the follow up and part two, to his killer and hyper focussed LP Mono, which turned heads in 2021.All recorded live at the AOTN studio, he's kept the essence of the first LP which worked so well, but moved it on in a much deeper direction.Fusing many of his influences, Boogie, Detroit and early 80's synth joints to name a few, stereo has its own identity and showcases Linkwoods ability to write and produce on the fly but maintain that warm, fuzzy and intricate sound we all love him for.
First full release by BSS (Luigi Vittorio Jansen) on Hivern following contributions to both 'Fragments' and 'Hivernation' projects. 'Bredius' showcases four tracks whose common thread is a detailed sound design of electrified percussion and a delicate and emotional approach to melodies. The EP will be available in two different versions: a standard one and a limited edition with the covers printed at l'Anacronica in Barcelona. Both artworks designed by Luigi himself.
After NEF's album in 2019, Ici Bientôt is happy to present today the reissue of "Comme Au Moulin" by Nyssa Musique. Paris 1985... ‘Extra-European’ Traditions meet Jazz and Minimal Music. An unusual array of instruments turn music into a dialogue. For a unique record ... vivid, full of texture, somewhere between Midori Takada, Don Cherry and Jon Hassell.Beginning of the eighties, 5 musicians rehearse in a contemporary dance class hall, upstairs from the ‘’New Morning", renowned Music venue in Paris. Nyssa Musique is born. Passionate for a long time about traditional music, like those of the Middle East, India and East Asia, but also about African traditions, they throw a bridge between Jazz and ‘Extra-European’ traditions, resulting in what would be called "Spiritual Jazz" today, a little bit in the style of Don Cherry's Organic Music or Pharoah Sanders. With the notable difference, however, that their creations are strongly infused by contemporary classical and repetitive music, notably Steve Reich's work with whom they share a great interest for the traditional cultures of Southeast Asia, particularly Indonesia and its gamelans.In the original group we have Armand Amar, Ballet Music composer and John Boswell. Both specialists of traditional hand percussion which they had been studying for a long time in India and the Middle East, they are also very fond of synthesizers. Three other talented musicians quickly join them: Jean-François Roger, percussionist, marimba and vibraphone specialist, Henri Tournier, multi-flutist and Renaud Garcia-Fons, double bass player, who has a passion for the Middle East and has developed a virtuosic play of the bow, reminding that of Cecil Mc Bee.Each of them enriches the ensemble with their personality, originality and musical generosity. The rehearsal hall is rapidly invaded by the phenomenal instrumentarium put together by Armand Amar. A great opportunity for the musicians, for the dancers, to have access to an endless choice of instruments, offering infinite possibilities for mixing different colors and timbres. Their sense for being a group and their great capacity for improvising culminates, in 1986, in the composition of their first and only album Comme au Moulin (« As by the windmill"), testimony of years of creating without hidden agenda.Authentic, free and vibrant, still today, this album has no real equivalent. Even though it recalls the Fourth World current by its combination of traditional instruments with a subtle use of synthesizers, Comme au moulin gives more space to improvisation. It may also recall those of Midori Takada, less the New Age esthetics. An album that should delight as well lovers of "Love Supreme" by John Coltrane, of "Vernal Equinox" by Jon Hassell, as those of Moondog, an artist who, like them, invented a music based on the use of untypical percussions, at the confluence of 'Extra-European' traditions, Jazz and Classical, all together complex and hypnotic.