Ganavya
Like The Sky I've Been Too Quiet

Christian Reim (b. 1945) has played jazz since the late 50’s, his merits list is long but how many can price themselves with having played both bass and piano with Dexter Gordon?That was back in the day but with this new release, different generations meet over Christian’s colorful, deeply personal lyricism.The first four songs were recorded in the autumn of 2001 in two sets, one with Harald Johnsen (b.1970 – d.2011) on bass and Jarle Vespestad (b. 1966) on drums. Two years later, in the summer of 2003, it is Ingebrigt Håker Flaten (b. 1971) on bass and Håkon Mjåset Johansen (b. 1975) on drums. The recordings were made in Christian’s home studio at Frogner in Oslo with Martin Abrahamsen as the sound engineer.The repertoire of 9 songs consists mostly of Reim’s own songs, but also the famous jazz version of Norways national anthem ‘Ja, Vi Elsker’ The traditional christmas song ‘O Jul med din Glede’ and an interpretation of Ennio Morricone’s ‘Once Upon A Time In America’

One year after his first release, the french producer and multi instrumentist Antoine Bourachot returns with Diversions, a groove filled journey into espionage.Inspired by great fusion and disco records, with the help from virtuosos Jim Grandcamp (Guitar) and Shoko Igarashi (Soprano Saxophone, Flute), this record is a tribute to musicians and their craft.Alongside cinematic instrumental tracks, a pop side of the record emerges. Miracle, with epic celestial vocals from Giacomo Lecchi d’Alessandro and the ever so sweet Action with his trusted studio mate Irfane (Breakbot).Created in a gear sanctuary somewhere in Paris this record takes the listener into a spy fantasy, portrayed on the cover by the very talented Julia & Vincent.

Hesnawi crafts restless grooves with evident buttressing from a reggae foundation. Highlighted across the LP is how Hesnawi essentially pioneered such an effortless synthesis between traditional Libyan music and Jamaican reggae stylings, plus the endlessly disparate funk, jazz, and disco accents which firmly situate Hesnawi in a league of his own.

Rara Avis by Hearn Gadbois

This expanded musical journey further explores the wide spectrum of the band's musical identity – with each of the five parts designed as both standalone records, while also offering a singular listening journey across the band's expansive musical world. This, the second part in the collection, draws on the band's rich influence of Ethiopian and sub-saharan soul and funk, alongside spiritual jazz, rock, and 1970s film soundtracks.